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|Author||: Katherine May|
A NEW YORK TIMES BESTSELLER! AS HEARD ON NPR MORNING EDITION AND ON BEING WITH KRISTA TIPPETT “Katherine May opens up exactly what I and so many need to hear but haven't known how to name.” —Krista Tippett, On Being “Every bit as beautiful and healing as the season itself. . . . This is truly a beautiful book.” —Elizabeth Gilbert "Proves that there is grace in letting go, stepping back and giving yourself time to repair in the dark...May is a clear-eyed observer and her language is steady, honest and accurate—capturing the sense, the beauty and the latent power of our resting landscapes." —Wall Street Journal An intimate, revelatory book exploring the ways we can care for and repair ourselves when life knocks us down. Sometimes you slip through the cracks: unforeseen circumstances like an abrupt illness, the death of a loved one, a break up, or a job loss can derail a life. These periods of dislocation can be lonely and unexpected. For May, her husband fell ill, her son stopped attending school, and her own medical issues led her to leave a demanding job. Wintering explores how she not only endured this painful time, but embraced the singular opportunities it offered. A moving personal narrative shot through with lessons from literature, mythology, and the natural world, May's story offers instruction on the transformative power of rest and retreat. Illumination emerges from many sources: solstice celebrations and dormice hibernation, C.S. Lewis and Sylvia Plath, swimming in icy waters and sailing arctic seas. Ultimately Wintering invites us to change how we relate to our own fallow times. May models an active acceptance of sadness and finds nourishment in deep retreat, joy in the hushed beauty of winter, and encouragement in understanding life as cyclical, not linear. A secular mystic, May forms a guiding philosophy for transforming the hardships that arise before the ushering in of a new season.
|Author||: Katherine May|
|Editor||: Random House|
THE NEW YORK TIMES BESTSELLER 'A beautiful, gentle exploration of the dark season of life and the light of spring that eventually follows' Raynor Winn, bestselling author of The Salt Path 'A peaceful rebuff to life in fast-forward' Guardian Wintering is a poignant and comforting meditation on the fallow periods of life, times when we must retreat to care for and repair ourselves. Katherine May thoughtfully shows us how to come through these times with the wisdom of knowing that, like the seasons, our winters and summers are the ebb and flow of life. 'Every bit as beautiful and healing as the season itself' Elizabeth Gilbert 'Absolutely beautiful' Cheryl Strayed, author of Wild
|Author||: Katherine May|
THE NEW YORK TIMES BESTSELLER Signed Gift Edition 'Every bit as beautiful and healing as the season itself' Elizabeth Gilbert 'A gentle exploration of the dark season of life and the light of spring that eventually follows' Raynor Winn, bestselling author of The Salt Path and The Wild Silence Wintering is a poignant and comforting meditation on the fallow periods of life, times when we must retreat to care for and repair ourselves. Katherine May thoughtfully shows us how to come through these times with the wisdom of knowing that, like the seasons, our winters and summers are the ebb and flow of life. 'A peaceful rebuff to life in fast-forward' Guardian 'Absolutely beautiful' Cheryl Strayed, author of Wild
|Author||: Kate Moses|
|Editor||: St. Martin's Press|
This is the story of a woman forging a new life for herself after her marriage has foundered, shutting up her beloved Devonshire house and making a home for her two young children in London, elated at completing the collection of poems she foresees will make her name. It is also the story of a woman struggling to maintain her mental equilibrium, to absorb the pain of her husband's betrayal and to resist her mother's engulfing love. It is the story of Sylvia Plath. In this deeply felt novel, Kate Moses recreates Sylvia Plath's last months, weaving in the background of her life before she met Ted Hughes through to the disintegration of their relationship and the burst of creativity this triggered. It is inspired by Plath's original ordering and selection of the poems in Ariel, which begins with the word 'love' and ends with 'spring,' a mythic narrative of defiant survival quite different from the chronological version edited by Hughes. At Wintering's heart, though, lie the two weeks in December when Plath finds herself still alone and grief-stricken, despite all her determined hope. With exceptional empathy and lyrical grace, Moses captures her poignant, untenable and courageous struggle to confront not only her future as a woman, an artist and a mother, but the unbanished demons of her past.
|Author||: Peter Geye|
The members of the Eide family find themselves changed forever after their elderly, demented patriarch runs into the wilderness of northern Minnesota in an attempt to reenact a similar adventure sixty years earlier.
|Author||: Lea Wait|
|Editor||: Simon and Schuster|
"What happened this afternoon is too terrible to write...Please, God, let Will live. And please, God, forgive me." Cassie's journal opens her dramatic story and that of her older brother Will, as they are both forced to reexamine their lives after a farm accident leaves Will without a leg -- and without hope. After a winter of healing, Will knows his future must be away from the farm that he loves. He and Cassie go to stay with their older sister and her husband in the nearby town of Wiscasset. There, with the excitement of Maine's new statehood as a backdrop, Will finds that being disabled can be a social handicap as well as physical one. But with hard work he can win respect -- and find exciting possibilities for his future. Living in town opens Cassie's eyes too. She sees Will considering career options not open to her, and she wonders if she can be fulfilled by keeping a house and a family. Are there other possibilities for a young woman in 1820? As Cassie watches Will make his life decisions, she struggles to find her own place in the world. From the author of Stopping to Home and Seaward Born comes this remarkable story of hardship, determination, and the joy of finding the right path in life.
|Author||: Krissy Kneen|
|Editor||: Text Publishing|
‘Who is this please?’ ‘Jessica. Jessica Weir.’ ‘I’m sorry, miss, but this was the last number—’ ‘Matthew’s on his way home. From work. He’s late. He should be home soon.’ And only the ocean breathing into the silence as if her own chest were rising and falling without fail. As if his heart were still beating. As if nothing in the world had changed. ‘We’ve found a car, miss, but there’s no sign of a driver.’ When Jessica’s partner disappears into the dark Tasmanian forest, there is of course the mystery of what happened to him—the deserted car, the enigmatic final image recorded on his phone. There is the strange circle of local women, widows of disappeared men, with their edgy fellowship and unhinged theories. And the forest itself: looming hugely over this tiny settlement on the remote tip of the island. But for Jessica there is also the tight community in which she is still a stranger and Matthew was not. What secrets do they know about her own life, that she doesn’t. And why do they believe things that should not—cannot—be true. For her own sanity, Jessica needs to know two things. Who was Matthew? And who—or what—has he become? Krissy Kneen is the award-winning author of memoir—Affection—and fiction: An Uncertain Grace, Steeplechase, Triptych, The Adventures of Holly White and the Incredible Sex Machine, as well as the Thomas Shapcott Award-winning poetry collection Eating My Grandmother. She has written and directed broadcast documentaries for SBS and ABC Television. ‘Kneen’s writing, by turns playful and elegant, is never less than stimulating, in the literal and figurative senses of the word.’ Stella Prize 2017 Judges’s Report ‘Endlessly curious and inventive, provocative and inspiring.’ Sydney Morning Herald ‘One of Australia’s hidden literary gems. With each new book, I find myself hoping that readers will finally discover her quirky, sexy and incredibly beautiful writing.’ Books+Publishing ‘Highly unusual, very ambitious...but I think Krissy Kneen achieves it.’ Radio New Zealand
|Author||: William Durbin|
|Editor||: Raven Products Incorporated|
In 1801, fourteen-year-old Pierre returns to work for the North West Fur Company and makes the long and difficult journey to a winter camp, where he learns from both the other voyageurs and from the Ojibwa Indians whose land they share.
|Author||: William Durbin|
When fourteen-year-old Pierre goes with the North West Company to French Canada to learn about the fur trading business, he finds that he is learning more than he ever expected as rules of survival become a reality and a friendship with an Ojibwa brave gives him a new perspective on the world. Reprint.
|Author||: Joan Williams|
|Editor||: Open Road Media|
This poignant tale of a young woman’s affair with a famous writer is based on Joan Williams’s real-life relationship with William Faulkner For Amy Howard, the novels of Jeffrey Almoner are a refuge from the uncertainty of life. His books are full of the questions—about the nature of justice, the necessity of suffering, and the meaning of the past—that occupy her thoughts, but that no else seems interested in asking or able to answer. When she and two friends make a pilgrimage to Almoner’s house, she expects the world-famous author to be tall, dark, and mysterious, and to find in him the mirror to her soul. Instead, the encounter is too brief and awkward for Amy to even introduce herself. Back at home, she pours out everything she had hoped to say in a letter, sharing with Almoner her belief that, despite the difference in their ages, they are spiritually connected. His surprisingly personal response marks the beginning of an intense relationship that soon progresses from epistolary flirtation to secret meetings in Mississippi bus stations, fancy Memphis hotels, and New York publishing houses. For the married Almoner, Amy’s youthful beauty and devotion are irresistible. For Amy, the great artist is a source of wisdom and experience whose support gives her the courage to pursue her dream of becoming a writer. As their love affair moves from its exhilarating beginning to its inevitable, heartrending conclusion, Amy discovers that finding the answers to her questions will be more painful than she ever thought possible. The Wintering is a bittersweet coming-of-age story, an exquisite account of a beautiful yet fleeting romance, and one of the most intimate portraits of William Faulkner ever written. Included in this ebook is “Twenty Will Not Come Again,” Joan Williams’s honest and revealing essay, first published in the Atlantic Monthly, on the subject of her relationship with one of the twentieth century’s greatest artists.
|Author||: Diana Kappel-Smith|
|Editor||: McGraw-Hill Book Company|
An extended personal essay on one New England winter chronicles the transformations of the natural world--plants, animals, and the earth itself--from autumn into early spring
|Author||: Rosemary Blake|
|Editor||: Ekstasis Editions|
Rosemary Blake's Wintering is a thoughtful collection of poems of landscape and memory. The poems recall a childhood filled with the loss of a beloved father, but also with the light and beauty of the Australia landscape. Canada provides a way of seeing into this past with its loss and longing; a way which explores the contrast of the seasons, the reversals of winter and summer and the particular beauty of the Canadian landscape. The poet comes to see this country, no longer as a metaphor for longing, but with wonder.Wintering is an outstanding first book of poems, certain to receive a warm reception.
|Author||: Stephen Rutt|
|Editor||: Elliott & Thompson|
The new season begins. The geese return... Selected as a NATURE BOOK OF THE YEAR by The Times The arrival of huge flocks of geese in the UK is one of the most evocative and powerful harbingers of winter; a vast natural phenomenon to capture the imagination. So Stephen Rutt found when he moved to Dumfries one autumn, coinciding with the migration of thousands of pink-footed geese who spend their winter in the Firth. Thus began an extraordinary odyssey. From his new surroundings in the north to the wide open spaces of his childhood home in the south, Stephen traces the lives and habits of the most common species of goose in the UK and explores the place they have in our culture, our history and, occasionally, on our festive table. Wintering takes you on a vivid tour of the in between landscapes the geese inhabit, celebrating the short days, varied weathers and long nights of the season during which we share our home with these large, startling, garrulous and cooperative birds. Praise for Wintering: "A poignant testament to how we can find peace in the rhythms of the natural world." - The Times, Nature Books of the Year 2019
|Author||: Aelred D. Geis|
The relationships between canvasback (Aythya valisineria) breeding, wintering, and harvest areas were examined by analyzing banding data. Although canvasbacks wintering throughout North America come from the same general production areas, those wintering on the Pacific coast have a stronger relationship to western production areas, notably Alberta, than those wintering on the east coast, which come primarily from Manitoba and Saskatchewan. East and west coast wintering populations have different harvest patterns. The west coast population is harvested in relatively few areas, and the kill is more heavily concentrated on the wintering grounds. Canadian harvests of the west cost wintering populations are concentrated in Alberta, while those of the east coast wintering population are concentrated in Manitoba.
|Author||: Aelred D. Geis|
Band recoveries from mallards banded in breeding and wintering areas, weighted to reflect the population sizes the represent, were wintering areas to the harvest in each State and Province. Sources of population data in addtiion to conventional waterfowl breeding population surveys were utilized resulting in larger continent-wide population estimates than those previously published. The estimates of the relative importance of various breeding and wintering areas to the kill in each State and Province are presented in a series of tables. Patterins among States in the similarity or the dissimilarity in the source of harvest are mentioned.
|Author||: Peter Lack|
|Editor||: A&C Black|
This companion volume to The Atlas of Breeding Birds of Britain and Ireland is derived from surveys of birds present in Britain and Ireland during the three winters, 1981/82, 1982/83 and 1983/84. The surveys were organised by the British Trust for Ornithology and the Irish Wildbird Conservancy, as were the earlier breeding birds surveys. The Winter Atlas maps 200 species, 192 of which have full-page two-colour maps faced by a page of text. The texts (written by over 100 specialists) comment on the survey results, the species generally and the distribution and abundance as mapped. In addition there are introductory chapters on the maps, the weather in the three winters, bird patterns and movements; and appendices describing the planning, organisation, field methods, and processing of the survey data from record cards to computer output and maps. A team of 23 artists, led by Robert Gillmor, has provided the line drawings which head the species accounts. This is a print-on-demand edition of the Atlas. It is a black and white reproduction of the original two-colour book.
|Author||: Loren M. Smith,Roger L. Pederson,Richard M. Kaminski|
|Editor||: Texas Tech University Press|
This important compilation on habitat management for waterfowl throughout North America addresses practicing waterfowl biologists and managers, researchers, and students of waterfowl ecology and management.