Warriors Don’t Cry
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|Author||: Melba Beals|
|Editor||: Simon and Schuster|
The author describes the threats and emotional abuse she endured from white student and adults along with her fears of endangering her family as she commited to being one of the first African American students to integrate Central High School in Little Rock, Arkansas in 1957.
|Author||: Melba Pattillo Beals|
|Editor||: Washington Square Press|
In this essential autobiographical account by one of the Civil Rights Movement’s most powerful figures, Melba Pattillo Beals of the Little Rock Nine explores not only the oppressive force of racism, but the ability of young people to change ideas of race and identity. In 1957, well before Martin Luther King’s “I Have a Dream” speech, Melba Pattillo Beals and eight other teenagers became iconic symbols for the Civil Rights Movement and the dismantling of Jim Crow in the American South as they integrated Little Rock’s Central High School in the wake of the landmark 1954 Supreme Court ruling, Brown v. Board of Education. Throughout her harrowing ordeal, Melba was taunted by her schoolmates and their parents, threatened by a lynch mob’s rope, attacked with lighted sticks of dynamite, and injured by acid sprayed in her eyes. But through it all, she acted with dignity and courage, and refused to back down. Warriors Don’t Cry is, at times, a difficult but necessary reminder of the valuable lessons we can learn from our nation’s past. It is a story of courage and the bravery of a handful of young, black students who used their voices to influence change during a turbulent time.
|Author||: Melba Pattillo Beals|
|Editor||: Houghton Mifflin Harcourt|
From the legendary civil rights activist and author of the million-copy selling Warriors Don't Cry comes an ardent and profound childhood memoir of growing up while facing adversity in the Jim Crow South. Long before she was one of the Little Rock Nine, Melba Pattillo Beals was a warrior. Frustrated by the laws that kept African-Americans separate but very much unequal to whites, she had questions. Why couldn’t she drink from a "whites only" fountain? Why couldn’t she feel safe beyond home—or even within the walls of church? Adults all told her: Hold your tongue. Be patient. Know your place. But Beals had the heart of a fighter—and the knowledge that her true place was a free one. Combined with emotive drawings and photos, this memoir paints a vivid picture of Beals’ powerful early journey on the road to becoming a champion for equal rights, an acclaimed journalist, a best-selling author, and the recipient of this country’s highest recognition, the Congressional Gold Medal.
|Author||: Daisy Bates|
|Editor||: University of Arkansas Press|
At an event honoring Daisy Bates as 1990’s Distinguished Citizen then-governor Bill Clinton called her "the most distinguished Arkansas citizen of all time." Her classic account of the 1957 Little Rock School Crisis, The Long Shadow of Little Rock, couldn't be found on most bookstore shelves in 1962 and was banned throughout the South. In 1988, after the University of Arkansas Press reprinted it, it won an American Book Award. On September 3, 1957, Gov. Orval Faubus called out the National Guard to surround all-white Central High School and prevent the entry of nine black students, challenging the Supreme Court's 1954 order to integrate all public schools. On September 25, Daisy Bates, an official of the NAACP in Arkansas, led the nine children into the school with the help of federal troops sent by President Eisenhower–the first time in eighty-one years that a president had dispatched troops to the South to protect the constitutional rights of black Americans. This new edition of Bates's own story about these historic events is being issued to coincide with the fiftieth anniversary of the Little Rock School crisis in 2007.
|Author||: Jessica McDiarmid|
|Editor||: Doubleday Canada|
A searing and revelatory account of the missing and murdered Indigenous women and girls of Highway 16, and an indictment of the society that failed them. For decades, Indigenous women and girls have gone missing or been found murdered along an isolated stretch of highway in northwestern British Columbia. The highway is known as the Highway of Tears, and it has come to symbolize a national crisis. Journalist Jessica McDiarmid investigates the devastating effect these tragedies have had on the families of the victims and their communities, and how systemic racism and indifference have created a climate where Indigenous women and girls are over-policed, yet under-protected. Through interviews with those closest to the victims—mothers and fathers, siblings and friends—McDiarmid offers an intimate, first-hand account of their loss and relentless fight for justice. Examining the historically fraught social and cultural tensions between settlers and Indigenous peoples in the region, McDiarmid links these cases to others across Canada—now estimated to number up to 4,000—contextualizing them within a broader examination of the undervaluing of Indigenous lives in this country. Highway of Tears is a powerful story about our ongoing failure to provide justice for missing and murdered Indigenous women and girls, and a testament to their families and communities' unwavering determination to find it.
|Author||: Melba Pattillo Beals|
|Editor||: Baker Books|
In 1957, Melba Beals was one of the nine African American students chosen to integrate Central High School in Little Rock, Arkansas. But her story of overcoming didn't start--or end--there. While her white schoolmates were planning their senior prom, Melba was facing the business end of a double-barreled shotgun, being threatened with lynching by rope-carrying tormentors, and learning how to outrun white supremacists who were ready to kill her rather than sit beside her in a classroom. Only her faith in God sustained her during her darkest days and helped her become a civil rights warrior, an NBC television news reporter, a magazine writer, a professor, a wife, and a mother. In I Will Not Fear, Beals takes readers on an unforgettable journey through terror, oppression, and persecution, highlighting the kind of faith needed to survive in a world full of heartbreak and anger. She shows how the deep faith we develop during our most difficult moments is the kind of faith that can change our families, our communities, and even the world. Encouraging and inspiring, Beals's story offers readers hope that faith is the solution to the pervasive hopelessness of our current culture.
|Author||: David Nasaw|
The turn of the twentieth century was a time of explosive growth for American cities, a time of nascent hopes and apparently limitless possibilities. In Children of the City, David Nasaw re-creates this period in our social history from the vantage point of the children who grew up then. Drawing on hundreds of memoirs, autobiographies, oral histories and unpublished—and until now unexamined—primary source materials from cities across the country, he provides us with a warm and eloquent portrait of these children, their families, their daily lives, their fears, and their dreams. Illustrated with 68 photographs from the period, many never before published, Children of the City offers a vibrant portrait of a time when our cities and our grandparents were young.
|Author||: John S. Milloy|
|Editor||: Univ. of Manitoba Press|
“I am going to tell you how we are treated. I am always hungry.” — Edward B., a student at Onion Lake School (1923) "[I]f I were appointed by the Dominion Government for the express purpose of spreading tuberculosis, there is nothing finer in existance that the average Indian residential school.” — N. Walker, Indian Affairs Superintendent (1948) For over 100 years, thousands of Aboriginal children passed through the Canadian residential school system. Begun in the 1870s, it was intended, in the words of government officials, to bring these children into the “circle of civilization,” the results, however, were far different. More often, the schools provided an inferior education in an atmosphere of neglect, disease, and often abuse. Using previously unreleased government documents, historian John S. Milloy provides a full picture of the history and reality of the residential school system. He begins by tracing the ideological roots of the system, and follows the paper trail of internal memoranda, reports from field inspectors, and letters of complaint. In the early decades, the system grew without planning or restraint. Despite numerous critical commissions and reports, it persisted into the 1970s, when it transformed itself into a social welfare system without improving conditions for its thousands of wards. A National Crime shows that the residential system was chronically underfunded and often mismanaged, and documents in detail and how this affected the health, education, and well-being of entire generations of Aboriginal children.
|Author||: Fred Sasakamoose|
"Fred Sasakamoose played in the NHL before First Nations people had the right to vote in Canada. This page turner will have you cheering for 'Fast Freddy' as he faces off against huge challenges both on and off the ice--a great gift to every proud hockey fan, Canadian, and Indigenous person." --Wab Kinew, Leader of the Manitoba NDP and author of The Reason You Walk Trailblazer. Residential school Survivor. First Treaty Indigenous player in the NHL. All of these descriptions are true--but none of them tell the whole story. Fred Sasakamoose, torn from his home at the age of seven, endured the horrors of residential school for a decade before becoming one of 120 players in the most elite hockey league in the world. He has been heralded as the first Indigenous player with Treaty status in the NHL, making his official debut as a 1954 Chicago Black Hawks player on Hockey Night in Canada and teaching Foster Hewitt how to pronounce his name. Sasakamoose played against such legends as Gordie Howe, Jean Beliveau, and Maurice Richard. After twelve games, he returned home. When people tell Sasakamoose's story, this is usually where they end it. They say he left the NHL to return to the family and culture that the Canadian government had ripped away from him. That returning to his family and home was more important to him than an NHL career. But there was much more to his decision than that. Understanding Sasakamoose's choice means acknowledging the dislocation and treatment of generations of Indigenous peoples. It means considering how a man who spent his childhood as a ward of the government would hear those supposedly golden words: "You are Black Hawks property." Sasakamoose's story was far from over once his NHL days concluded. He continued to play for another decade in leagues around Western Canada. He became a band councillor, served as Chief, and established athletic programs for kids. He paved a way for youth to find solace and meaning in sports for generations to come. Yet, threaded through these impressive accomplishments were periods of heartbreak and unimaginable tragedy--as well moments of passion and great joy. This isn't just a hockey story; Sasakamoose's groundbreaking memoir sheds piercing light on Canadian history and Indigenous politics, and follows this extraordinary man's journey to reclaim pride in an identity and a heritage that had previously been used against him.
|Author||: Bev Sellars|
|Editor||: Talonbooks Limited|
BC Book Prize, Non-Fiction, Bev Sellars, They Called Me Number One (Finalist) Burt Award for First Nations, M�tis, and Inuit Literature: Bev Sellars, They Called Me Number One (Third Prize winner) Like thousands of Aboriginal children in Canada, and elsewhere in the colonized world, Xatsu'll chief Bev Sellars spent part of her childhood as a student in a church-run residential school. These institutions endeavored to "civilize" Native children through Christian teachings; forced separation from family, language, and culture; and strict discipline. Perhaps the most symbolically potent strategy used to alienate residential school children was addressing them by assigned numbers only-not by the names with which they knew and understood themselves. In this frank and poignant memoir of her years at St. Joseph's Mission, Sellars breaks her silence about the residential school's lasting effects on her and her family-from substance abuse to suicide attempts-and eloquently articulates her own path to healing. Number One comes at a time of recognition-by governments and society at large-that only through knowing the truth about these past injustices can we begin to redress them.
|Author||: Robert Sharenow|
|Editor||: Harper Collins|
Sydney Taylor Award-winning novel Berlin Boxing Club is loosely inspired by the true story of boxer Max Schmeling's experiences following Kristallnacht. Publishers Weekly called it "a masterful historical novel" in a starred review. Karl Stern has never thought of himself as a Jew; after all, he's never even been in a synagogue. But the bullies at his school in Nazi-era Berlin don't care that Karl's family doesn't practice religion. Demoralized by their attacks against a heritage he doesn't accept as his own, Karl longs to prove his worth. Then Max Schmeling, champion boxer and German hero, makes a deal with Karl's father to give Karl boxing lessons. A skilled cartoonist, Karl has never had an interest in boxing, but now it seems like the perfect chance to reinvent himself. But when Nazi violence against Jews escalates, Karl must take on a new role: family protector. And as Max's fame forces him to associate with Nazi elites, Karl begins to wonder where his hero's sympathies truly lie. Can Karl balance his boxing dreams with his obligation to keep his family out of harm's way? Includes an author's note and sources page detailing the factual inspirations behind the novel.
|Author||: Tricia Levenseller|
|Editor||: Feiwel & Friends|
An eighteen-year-old chieftain's daughter must find a way to kill her village’s oppressive deity if she ever wants to return home in Warrior of the Wild, the Viking-inspired YA standalone fantasy from Tricia Levenseller, author of Daughter of the Pirate King. How do you kill a god? As her father's chosen heir, eighteen-year-old Rasmira has trained her whole life to become a warrior and lead her village. But when her coming-of-age trial is sabotaged and she fails the test, her father banishes her to the monster-filled wilderness with an impossible quest: To win back her honor, she must kill the oppressive god who claims tribute from the villages each year or die trying.
|Author||: Mildred D. Taylor,Linda Beech|
|Editor||: Scholastic Inc.|
The story of one African-American family fighting to stay together and strong in the face of brutal racist attacks, illness, poverty, and betrayal in the Deep South of the 1930s.
|Author||: Paul Coutinho|
|Editor||: Loyola Press|
Do you have a real relationship with God, or do you just have a religion? Do you know God, or do you just know about God? In How Big Is Your God? Paul Coutinho, SJ, challenges us to grow stronger and deeper in our faith and in our relationship with God—a God whose love knows no bounds. To help us on our way, Coutinho introduces us to people in various world religions—from Hindu friends to Buddhist teachers to St. Ignatius of Loyola—who have shaped his spiritual life and made possible his deep, personal relationship with God.
|Author||: Ron Rash|
|Editor||: Henry Holt and Company|
A major new Southern voice emerges in this novel about a town divided by the aftermath of a tragic accident--and the woman caught in the middle When a twelve-year-old girl drowns in the Tamassee River and her body is trapped in a deep eddy, the people of the small South Carolina town that bears the river's name are thrown into the national spotlight. The girl's parents want to attempt a rescue of the body; environmentalists are convinced the rescue operation will cause permanent damage to the river and set a dangerous precedent. Torn between the two sides is Maggie Glenn, a twenty-eight-year-old newspaper photographer who grew up in the town and has been sent to document the incident. Since leaving home almost ten years ago, Maggie has done her best to avoid her father, but now, as the town's conflict opens old wounds, she finds herself revisiting the past she's fought so hard to leave behind. Meanwhile, the reporter who's accompanied her to cover the story turns out to have a painful past of his own, and one that might stand in the way of their romance. Drawing on the same lyrical prose and strong sense of place that distinguished his award-winning first novel, One Foot in Eden, Ron Rash has written a book about the deepest human themes: the love of the land, the hold of the dead on the living, and the need to dive beneath the surface to arrive at a deeper truth. Saints at the River confirms the arrival of one of today's most gifted storytellers.
|Author||: Michele Norris|
A host of NPR's "All Things Considered" traces her ancestry in America's South and how it reflects the nation's turbulent efforts toward racial equality, a heritage that has influenced her awareness about character, silence, and integration.
|Author||: Erin Hunter|
Join the legion of fans who have made Erin Hunter’s Warriors series a #1 national bestseller—with new editions featuring a striking new look! Epic adventures. Fierce warrior cats. A thrilling fantasy world. It all begins here with Warriors #1: Into the Wild. For generations, four Clans of wild cats have shared the forest according to the laws laid down by their ancestors. But the warrior code is threatened, and the ThunderClan cats are in grave danger. The sinister ShadowClan grows stronger every day. Noble warriors are dying—and some deaths are more mysterious than others. In the midst of this turmoil appears an ordinary housecat named Rusty…who may turn out to be the bravest warrior of them all. Supports the Common Core State Standards