Walking with the Muses
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|Author||: Pat Cleveland,Lorraine Glennon|
|Editor||: Simon and Schuster|
An "account of the international adventures of fashion model Pat Cleveland--one of the first black supermodels during the wild sixties and seventies"--Amazon.com.
|Author||: Kirk Freudenburg|
In laying the groundwork for a fresh and challenging reading of Roman satire, Kirk Freudenburg explores the literary precedents behind the situations and characters created by Horace, one of Rome's earliest and most influential satirists. Critics tend to think that his two books of Satires are but trite sermons of moral reform--which the poems superficially claim to be--and that the reformer speaking to us is the young Horace, a naive Roman imitator of the rustic, self-made Greek philosopher Bion. By examining Horace's debt to popular comedy and to the conventions of Hellenistic moral literature, however, Freudenburg reveals the sophisticated mask through which the writer distances himself from the speaker in these earthy diatribes--a mask that enables the lofty muse of poetry to walk in satire's mundane world of adulterous lovers and quarrelsome neighbors. After presenting the speaker of the diatribes as a stage character, a version of the haranguing cynic of comedy and mime, Freudenburg explains the theoretical importance of such conventions in satire at large. His analysis includes a reinterpretation of Horace's criticisms of Lucilius, and ends with a theory of satire based on the several images of the satirist presented in Book One, which reveals the true depth of Horace's ethical and philosophical concerns. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
|Author||: Herbert Kohl,Tom Oppenheim|
|Editor||: New Press, The|
What do Whoopi Goldberg, Phillip Seymour Hoffman, Rosie Perez, and Phylicia Rashad have in common? A transformative encounter with the arts during their school years. Whether attending a play for the first time, playing in the school orchestra, painting a mural under the direction of an art teacher, or writing a poem, these famous performers each credit an experience with the arts at school with helping them discover their inner humanity and putting them on the road to fully realized creative lives. In The Muses Go to School, autobiographical pieces with well-known artists and performers are paired with interpretive essays by distinguished educators to produce a powerful case for positioning the arts at the center of primary and secondary school curriculums. Spanning a range of genres from acting and music to literary and visual arts, these smart and entertaining voices make surprising connections between the arts and the development of intellect, imagination, spirit, emotional intelligence, self-esteem, and self-discipline of young people. With support from a star-studded cast, editors Herbert Kohl and Tom Oppenheim present a memorable critique of the growing national trend to eliminate the arts in public education. Going well beyond the traditional rationales, The Muses Go to School shows that creative arts, as a means of academic and personal development, are a critical element of any education. It is essential reading for teachers, parents, and anyone who really cares about education.
|Author||: Christian McPherson|
Poetry. Over the course of a lifetime, we all experience catch-of-breath moments that stir exquisite awareness of life's transience. Such fleeting moments we share with poet Christian McPherson and his space-suited avatar negotiating bumpy terrain. In this collection the meandering, often self-deprecating poet considers and records moments of truth and insight common to us all as he registers his joys and regrets, and raises rants in postured outrage. A refreshing and often humorous honesty prevails. As the dedication promises, these poems are for those who go to a job every day but dream of something more. McPherson delivers.
|Author||: David Hutchens|
|Editor||: John Wiley & Sons|
The action-based guide to powerful, influential organizationalstorytelling Circle of the 9 Muses captures the best practices of theworld's most influential story consultants and knowledge workers tohelp you find, tell, and draw value from your organizationalstories as impetus for action. This rich toolbox is loaded withfun, graphical instructions and dozens of unique, replicable, andfacilitated processes that require no special training orexpertise. You'll discover your organization's hidden narrativeassets, use different templates and frameworks to tell the storiesof your past, present, and future and then draw team members intorich meaning-making dialogue that translates into action. Theseactivities can be exercised in endless permutations, and expertadvice steers you toward the right activity for a specific purpose,including managing change, setting strategy, onboarding, definingthe brand, engaging supporters or customers, merging cultures,building trust, and much more. Organizational storytelling is a powerful managerial tool and anessential change management technique. This is about your influenceas a leader. Knowing the right story to tell and how to deliver iteffectively gives you and your organization enormous influence, andhelps connect employees to strategy by providing understanding,belief, and motivation in their personal contribution. This book isthe ultimate field guide to becoming an influential storyteller,with concrete, actionable guidance toward all the storytellingfundamentals. Identify your organization's "narrative assets" Craft an elegant, well-constructed organizational story Capture, bank, and share stories with extraordinaryengagement Facilitate a dialogue to draw out meaning and inducechange The growing interest surrounding organizational storytelling hasmany change agents focused on "trying to tell better stories," butgoals are useless without a plan of action. Circle of the 9Muses helps you weave narrative wisdom into organizationaldevelopment activities, engaging employees and driving change.
|Author||: Daniel B. Smith|
A history of this phenomenon traces the medical community's understanding and treatment of it throughout the ages and draws on literary, psychological, and anthropological perspectives to discuss how patients have managed the disorder and found inspirati
Facetiae Musarum delici or The muses recreation by sr J M and Ja S And Wit restor d in severall select poems by sir J Mennes Also Wits recreations
|Author||: sir John Mennes|
|Author||: Rachael Miles|
|Editor||: Zebra Books|
Lady Emmeline Hartley has overcome every obstacle life has thrown her way. A spinster, disappointed in love, Em is on the brink of a marriage of convenience, when the man who rejected her heart reappears in need of her help. It gives Em a chance to escape, put to use one her most unusual talents—and perhaps convince him once and for all to risk his heart . . . Adam Montclair--one of the most successful agents at the Home Office--rubs elbows with the highest levels of society. Even so, he wasn’t to the manor born. No matter how much he desires Em, as a match he is completely unsuitable. While it pains him to be near her, it’s a punishment he richly deserves. Now on a mission to uncover a plot against the government, Adam knows Em's uncanny ability to recall voices will be essential. Yet as the two thwart the dangers in their path, it may become impossible to deny that Em is essential to happiness itself . . . Praise for the Muses’ Salon series “A feast for the imagination.” –Publishers Weekly “Rachael Miles’ knowledge of the time period she writes about adds a depth of authenticity that enriches every page.” –Jodi Thomas, New York Times bestselling author “A delicious, original read.” –RT Book Reviews Visit us at www.kensingtonbooks.com
|Author||: Robert F Delaney|
|Editor||: Mosaic Press|
Qiang returns to his homeland of China from Silicon Valley to find Beijing undergoing a chaotic transformation in the lead up to hosting the 2008 Olympic Games. Wrecking balls are knocking down entire neighborhoods to make way for new structures more in line with the government's vision of a modern China. The tumult inspires Qiang to shoot a documentary about the loss of affordable housing, which draws the attention of public security officials. When Qiang is suddenly arrested by local police, it falls on his friend Jake, an American journalist who admires Qiang and his work, to try to figure out how to end the detention. With few options, Jake enlists the help of those he's not sure he can trust. Dawei, a Chinese itinerant Jake befriended years earlier, returns to Beijing in the midst of a cat-and-mouse game Jake is playing with the authorities to retrieve a memento that has suddenly become extremely valuable. Dawei becomes ensnared in a plan to force the authorities to release Qiang, and Jake must then decide who survives. Based on real events, Robert F. Delaney's The Wounded Muse takes readers to a city and country undergoing a transformation on a scale previously unseen, where in the shadowed wreckage of forgotten communities people are pushed to psychological extremes to secure their position.
|Author||: Rachael Miles|
|Editor||: Zebra Books|
Lena Frost is a force to be reckoned with. A woman who has made her way in society without family or fortune, she’s about to realize her first big success as an artist. . . . Until her business partner makes off with her money, leaving her with little more than her hopes—and a dead body in her studio. Now Lena is at the mercy of a strikingly handsome stranger demanding answers she dare not reveal . . . Is it her seductive eyes, or his suspicion that she’s up to no good that have Clive Somerville shadowing Lena’s every move? Either way, his secret investigation for the Home Office has him determined to uncover Lena’s hidden agenda. But the closer he gets to her, the more he longs to be her protector. Is she a victim of circumstance? Or a dark force in a conspiracy that could destroy everything Clive holds dear? Discovering the truth could have dire consequences, not only for Lena, but for his heart . . . Praise for the Muses’ Salon series “Rachael Miles’ knowledge of the time period she writes about adds a depth of authenticity that enriches every page.” —Jodi Thomas, New York Times bestselling author “Fans of Jo Beverly and Mary Jo Putney as well as all readers who value Regency-set romances that are expertly grounded in the era’s history will be delighted!” —Booklist “A delicious, original read.” —RT Book Reviews
|Author||: Stephanie Springgay,Sarah E. Truman|
As a research methodology, walking has a diverse and extensive history in the social sciences and humanities, underscoring its value for conducting research that is situated, relational, and material. Building on the importance of place, sensory inquiry, embodiment, and rhythm within walking research, this book offers four new concepts for walking methodologies that are accountable to an ethics and politics of the more-than-human: Land and geos, affect, transmaterial and movement. The book carefully considers the more-than-human dimensions of walking methodologies by engaging with feminist new materialisms, posthumanisms, affect theory, trans and queer theory, Indigenous theories, and critical race and disability scholarship. These more-than-human theories rub frictionally against the history of walking scholarship and offer crucial insights into the potential of walking as a qualitative research methodology in a more-than-human world. Theoretically innovative, the book is grounded in examples of walking research by WalkingLab, an international research network on walking (www.walkinglab.org). The book is rich in scope, engaging with a wide range of walking methods and forms including: long walks on hiking trails, geological walks, sensory walks, sonic art walks, processions, orienteering races, protest and activist walks, walking tours, dérives, peripatetic mapping, school-based walking projects, and propositional walks. The chapters draw on WalkingLab’s research-creation events to examine walking in relation to settler colonialism, affective labour, transspecies, participation, racial geographies and counter-cartographies, youth literacy, environmental education, and collaborative writing. The book outlines how more-than-human theories can influence and shape walking methodologies and provokes a critical mode of walking-with that engenders solidarity, accountability, and response-ability. This volume will appeal to graduate students, artists, and academics and researchers who are interested in Education, Cultural Studies, Queer Studies, Affect Studies, Geography, Anthropology, and (Post)Qualitative Research Methods.
|Author||: Susan Manning,Janice Ross,Rebecca Schneider|
|Editor||: University of Wisconsin Press|
A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts--onstage, on screen, in the studio, and on the street--and deploy methods from diverse disciplines. Engaging African American and African diasporic studies, Latinx and Latin American studies, gender and sexuality studies, and Asian American and Asian studies, this anthology demonstrates the relevance of dance analysis to adjacent fields"--
|Author||: Mary R. Lefkowitz|
|Editor||: Yale University Press|
Insightful and fun, this new guide to an ancient mythology explains why the Greek gods and goddesses are still so captivating to us, revisiting the work of Homer, Ovid, Virgil, and Shakespeare in search of the essence of these stories. (Mythology & Folklore)
|Author||: Henry David Thoreau|
|Editor||: Tilbury House Publishers and Cadent Publishing|
“In wildness is the preservation of the world,” wrote Thoreau in his iconic deathbed essay “Walking.” Celebrates the bicentennial of Thoreau’s birth in 1817. This summation of his life’s work, published posthumously in 1862, became a seminal influence in the modern environmental movement and is no less relevant today than 150 years ago. “Above all, we cannot afford not to live in the present,” he wrote. He extolled walking as a delightful and necessary idleness, an antidote to the burdens of civilization, a means of immersing ourselves in nature and awakening to the moment. “Walking” is recognized by most scholars as Thoreau’s “other” masterpiece, Walden in a more concise form. In the introduction of this edition, Adam Tuchinsky accessibly and engagingly unpacks the essay’s nineteenth-century associations, highlights the startling modernity of its sentiments, and reveals why Thoreau remains the towering figure in the history of American nature writing. Exquisite contemporary nature photographs curated by Denise Froehlich grace this handsome book. antique-looking paper B&W nature photos from Kurito Koichiro and other fine art photographers captioned with memorable lines from Thoreau’s writings.
|Author||: Vicky Unruh|
|Editor||: University of Texas Press|
Women have always been the muses who inspire the creativity of men, but how do women become the creators of art themselves? This was the challenge faced by Latin American women who aspired to write in the 1920s and 1930s. Though women's roles were opening up during this time, women writers were not automatically welcomed by the Latin American literary avant-gardes, whose male members viewed women's participation in tertulias (literary gatherings) and publications as uncommon and even forbidding. How did Latin American women writers, celebrated by male writers as the "New Eve" but distrusted as fellow creators, find their intellectual homes and fashion their artistic missions? In this innovative book, Vicky Unruh explores how women writers of the vanguard period often gained access to literary life as public performers. Using a novel, interdisciplinary synthesis of performance theory, she shows how Latin American women's work in theatre, poetry declamation, song, dance, oration, witty display, and bold journalistic self-portraiture helped them craft their public personas as writers and shaped their singular forms of analytical thought, cultural critique, and literary style. Concentrating on eleven writers from Argentina, Brazil, Cuba, Mexico, Peru, and Venezuela, Unruh demonstrates that, as these women identified themselves as instigators of change rather than as passive muses, they unleashed penetrating critiques of projects for social and artistic modernization in Latin America.
|Author||: Rachel Matlow|
NATIONAL BESTSELLER "A comedy for catastrophic times." --CBC "A hilarious memoir of effervescent misadventures." --Toronto Star "How am I laughing at someone's mother's cancer? How? We think we can't laugh about death, about cancer, about our mothers and their suffering . . . and we can't, but we can. And there's so much relief in that." --Carolyn Taylor, BARONESS VON SKETCH SHOW A traumedy about life and death (and every cosmic joke in between) When her mother is diagnosed with cancer, Rachel Matlow is concerned but hopeful. It's Stage 1, so her mom will get surgery and everything will go back to normal. But growing up in Rachel's family, there was no normal. Elaine, an alternative school teacher and self-help junkie, was never a capital M "Mommy"--she spent more time meditating than packing lunches--and Rachel, who played hockey with the boys and refused to ever wear a dress, was no ordinary daughter. When Elaine decides to forgo conventional treatment and heal herself naturally, Rachel is forced to ponder whether the very things that made her mom so special--her independent spirit, her belief in being the author of her own story--are what will ultimately kill her. As the cancer progresses, so does Elaine's conviction in doing things her way. She assembles a dream team of alternative healers, gulps down herbal tinctures with every meal, and talks (with respect) to her cancer cells. Anxious and confused, Rachel is torn between indulging her pie-in-the-sky pursuits (ayahuasca and all) and pleading with the person who's taking her mother away. With irreverence and honesty--and a little help from Elaine's journals and self-published dating guide, plus hours of conversations recorded in her dying days--Matlow brings her inimitable mother to life on the page. Dead Mom Walking is the hilarious and heartfelt story of what happens when two people who've always written their own script go head to head with each other, and with life's least forgiving plot device.
|Author||: Donna Landry|
Today's hunting debate began in the eighteenth century, when the idea of the countryside was being invented through the imaginative displacement of agricultural production in favour of country sports and landscape tourism. Between the Game Act of 1671 and its repeal in 1831, writers on walking and hunting often held opposed views, but contributed equally to the origins of modern ecology, while sharing a commitment to trespass that preserved common rights in an era of growing privatization.