Till We Have Faces
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|Author||: Clive Staples Lewis|
|Editor||: Eerdmans Publishing Company|
In Mr. Lewis's sensitive hands the ancient myth retains its fascination while being endowed with new meanings, new depths, new terrors. --Saturday Review Copyright © Libri GmbH. All rights reserved.
|Author||: C. S. Lewis|
|Editor||: Musaicum Books|
"Till We Have Faces" is a retelling of a story about Cupid and Psyche. This story had haunted Lewis all his life, because he realized that some of the main characters' actions were illogical. As a consequence, his retelling of the story is characterized by a highly developed character, the narrator, with the reader being drawn into her reasoning and her emotions. This was his last novel, and he considered it his most mature, written in conjunction with his wife, Joy Davidman. The first part of the book is written from the perspective of Psyche's older sister Orual, as an accusation against the gods. The story is set in the fictive kingdom of Glome, a primitive city-state whose people have occasional contact with civilized Hellenistic Greece. In the second part of the book, the narrator undergoes a change of mindset (Lewis would use the term conversion) and understands that her initial accusation was tainted by her own failings and shortcomings, and that the gods are lovingly present in humans' lives. Clive Staples Lewis (1898-1963) was a British novelist, poet, academic, medievalist, lay theologian and Christian apologist. He is best known for his fictional work, especially The Screwtape Letters, The Chronicles of Narnia, and The Space Trilogy, and for his non-fiction Christian apologetics, such as Mere Christianity, Miracles, and The Problem of Pain.
|Author||: C. S. Lewis|
A repackaged edition of the revered author’s retelling of the myth of Cupid and Psyche—what he and many others regard as his best novel. C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—brilliantly reimagines the story of Cupid and Psyche. Told from the viewpoint of Psyche’s sister, Orual, Till We Have Faces is a brilliant examination of envy, betrayal, loss, blame, grief, guilt, and conversion. In this, his final—and most mature and masterful—novel, Lewis reminds us of our own fallibility and the role of a higher power in our lives.
|Author||: Clive Staples Lewis|
This tale of two princesses - one beautiful and one unattractive - and of the struggle between sacred and profane love is Lewis's reworking of the myth of Cupid and Psyche and one of his most enduring works.
|Author||: Robert MacSwain,Michael Ward|
|Editor||: Cambridge University Press|
A comprehensive 2010 single-volume study surveying C. S. Lewis's career as an academic, Christian thinker, and creative writer.
|Author||: Peter J. Schakel|
|Editor||: Lightning Source Incorporated|
The first study of C.S. Lewis to offer a detailed examination of "Till We Have Faces," Peter J. Schakel's book is also the first to explore the tension between reason and imagination that significantly shaped Lewis' thinking and writing. Schakel begins with a close analysis of "Till We Have Faces" which leads the readers through the plot, clarifying its themes and it discusses structure, symbols and allusions. The second part of the book surveys Lewis' works, tracing the tension between reason and imagination. In the works of the thirties and forties reason is in the ascendant; from the early fifties on, in works such as the Chronicles of Narnia, there is an increased emphasis on imagination - which culminates in the fine "myth retold," "Till We Have Faces." Imagination and reason are reconciled, finally in the works of the early sixties such as "A Grief Observed" and "Letters to Malcolm." PETER J. SCHAKEL is Professor of English at Hope College, Holland, MI. "This book is what Lewis scholarship ought to be. It is the most thoughtful, careful Lewis study yet." - Peter Kreeft "Reason and Imagination" is a remarkable achievement, literary criticism that is both wise and moving." - Margaret Hannay "Peter Schakel brings to C. S. Lewis scholarship what has often been lacking, namely rigorous scholarly method and real critical detachment. His study of "Till We Have Faces" is a major contribution to Lewis studies." - Thomas Howard
|Author||: Doris T. Myers|
|Editor||: University of Missouri Press|
C. S. Lewis wanted to name his last novel “Bareface.” Now Doris T. Myers’s Bareface provides a welcome study of Lewis’s last, most profound, and most skillfully written novel, Till We Have Faces. Although many claim it is his best novel, Till We Have Faces is a radical departure from the fantasy genre of Lewis’s Chronicles of Narnia and The Screwtape Letters and has been less popular than Lewis’s earlier works. In Bareface, Myers supplies background information on this difficult work and suggests reading techniques designed to make it more accessible to general readers. She also presents a fresh approach to Lewis criticism for the enjoyment of specialists. Previous studies have often treated the novel as mere myth, ignoring Lewis’s effort to present the story of Cupid and Psyche as something that could have happened. Myers emphasizes the historical background, the grounding of the characterizations in modern psychology, and the thoroughly realistic narrative presentation. She identifies key books in ancient and medieval literature, history, and philosophy that influenced Lewis’s thinking as well as pointing out a previously unnoticed affinity with William James. From this context, a clearer understanding of Till We Have Faces can emerge. Approached in this way, the work can be seen as a realistic twentieth-century novel using modernist techniques such as the unreliable narrator and the manipulation of time. The major characters fit neatly into William James’s typology of religious experience, and Orual, the narrator-heroine, also develops the kind of personal maturity described by Carl Jung. At the same time, both setting and plot provide insights into the ancient world and pre-Christian modes of thought. Organized to facilitate browsing according to the reader’s personal interests and needs, this study helps readers explore this complex and subtle novel in their own way. Containing fresh insights that even the most experienced Lewis scholar will appreciate, Bareface is an accomplishment worthy of Lewis’s lifelong contemplation.
|Author||: John C. Peckham|
|Editor||: InterVarsity Press|
Theology has constantly wrestled with the nature of God's love and what it means for how God relates to the world. In this comprehensive canonical theology of divine love, John C. Peckham argues for an account that avoids the errors of both voluntarist and experientialist theologies and faithfully represents the full biblical witness.
|Author||: Christine L. Norvell,Dan Rempel|
|Editor||: Createspace Independent Publishing Platform|
Have you ever read or tried to read Till We Have Faces: A Myth Retold and wondered what it was all about?Not every Lewis reader is a Lewis scholar. Most pick up one of his stories or essays out of curiosity, not with academic intent nor with the hope of reading all of his works. After teaching this novel for a decade, I determined to write a guide that would help any reader fully appreciate C.S. Lewis's final, and favorite, work of fiction. In Till We Have Faces, Lewis paints an unexpected picture of redemption. As Orual relates her selective memoir, she finds that her questions about the gods fall away. While Lewis's retelling brings an unusual completion to the original Greek myth of Cupid and Psyche, this companion is a blend of summary and commentary that brings greater understanding of the characters, symbolism, and implied Christian themes outside of a classroom discussion.www.ThyLyre.com
|Author||: Bruce R. Johnson|
|Editor||: Wipf and Stock Publishers|
Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.
|Author||: Mark Haddon|
A bestselling modern classic—both poignant and funny—about a boy with autism who sets out to solve the murder of a neighbor's dog and discovers unexpected truths about himself and the world. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. And he detests the color yellow. This improbable story of Christopher's quest to investigate the suspicious death of a neighborhood dog makes for one of the most captivating, unusual, and widely heralded novels in recent years.
|Author||: Sheldon Vanauken|
|Editor||: Harper Collins|
Beloved, profoundly moving account of the author's marriage, the couple's search for faith and friendship with C. S. Lewis, and a spiritual strength that sustained Vanauken after his wife's untimely death.
|Author||: C. S. Lewis|
A repackaged edition of the revered author’s definitive collection of short fiction, which explores enduring spiritual and science fiction themes such as space, time, reality, fantasy, God, and the fate of humankind. From C.S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—comes a collection of his dazzling short fiction. This collection of futuristic fiction includes a breathtaking science fiction story written early in his career in which Cambridge intellectuals witness the breach of space-time through a chronoscope—a telescope that looks not just into another world, but into another time. As powerful, inventive, and profound as his theological and philosophical works, The Dark Tower reveals another side of Lewis’s creative mind and his longtime fascination with reality and spirituality. It is ideal reading for fans of J. R. R. Tolkien, Lewis’s longtime friend and colleague.
|Author||: C.S. Friedman|
A new trilogy of epic adventure from one of the finest writers in modern fantasy C.S. Friedman, acclaimed author of The Coldfire Trilogy, returns to the epic style which has made her one of the most popular fantasy writers in the genre. In this first book of the trilogy, Friedman introduces readers to a world of high fantasy, replete with vampire-like magical powers, erotic interludes, treachery, war, sorcery, and a draconic creature of horrific power and evil that will have readers eagerly awaiting the next novel in the series.
|Author||: C. S. Lewis|
A repackaged edition of the revered author's classic work that examines the four types of human love: affection, friendship, erotic love, and the love of God—part of the C. S. Lewis Signature Classics series. C.S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—contemplates the essence of love and how it works in our daily lives in one of his most famous works of nonfiction. Lewis examines four varieties of human love: affection, the most basic form; friendship, the rarest and perhaps most insightful; Eros, passionate love; charity, the greatest and least selfish. Throughout this compassionate and reasoned study, he encourages readers to open themselves to all forms of love—the key to understanding that brings us closer to God.
|Author||: Aaron Koller|
|Editor||: Cambridge University Press|
The book of Esther was a conscious reaction to much of the conventional wisdom of its day, challenging beliefs regarding the Jerusalem Temple, the land of Israel, Jewish law, and even God. Aaron Koller identifies Esther as primarily a political work, and shows that early reactions ranged from ignoring the book to 'rewriting' Esther in order to correct its perceived flaws. But few biblical books have been read in such different ways, and the vast quantity of Esther-interpretation in rabbinic literature indicates a conscious effort by the Rabbis to present Esther as a story of faith and traditionalism, and bring it into the fold of the grand biblical narrative. Koller situates Esther, and its many interpretations, within the intellectual and political contexts of Ancient Judaism, and discusses its controversial themes. His innovative line of enquiry will be of great interest to students and scholars of Bible and Jewish studies.
|Author||: Dorothy L. Sayers|
|Editor||: McClelland & Stewart|
The seedy underbelly of academia threatens to erupt into violence, if Lord Peter and Harriet Vane can’t put a stop to it. Famous mystery writer Harriet Vane is asked to help when her alma mater becomes plagued by scandalous letters, threats, and vandalism. Fearing that things might escalate to murder, she asks Lord Peter Wimsey to assist her investigation, but his reentrance into her life brings to a head her uncertainty regarding love and marriage – and Lord Peter himself. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
|Author||: Regine May,Stephen J. Harrison|
|Editor||: Walter de Gruyter GmbH & Co KG|
Apuleius’ tale of Cupid and Psyche has been popular since it was first written in the second century CE as part of his Latin novel Metamorphoses. Often treated as a standalone text, Cupid and Psyche has given rise to treatments in the last 400 years as diverse as plays, masques, operas, poems, paintings and novels, with a range of diverse approaches to the text. Apuleius’ story of the love between the mortal princess Psyche (or “Soul”) and the god of Love has fascinated recipients as varied as Romantic poets, psychoanalysts, children’s books authors, neo-Platonist philosophers and Disney film producers. These readers themselves produced their own responses to and versions of the story. This volume is the first broad consideration of the reception of C&P in Europe since 1600 and an adventurous interdisciplinary undertaking. It is the first study to focus primarily on material in English, though it also ranges widely across literary genres in Italian, French and German, encompassing poetry, drama and opera as well as prose fiction and art history, studied by an international team of established and young scholars. Detailed studies of single works and of whole genres make this book relevant for students of Classics, English, Art History, opera and modern film.