This Must Be the Place
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|Author||: Maggie O'Farrell|
|Editor||: Hachette UK|
SHORTLISTED FOR THE COSTA NOVEL AWARD - A RICHARD AND JUDY PICK 2017 A top-ten bestseller, THIS MUST BE THE PLACE by Maggie O'Farrell crosses time zones and continents to reveal an extraordinary portrait of a marriage. 'A complex, riveting novel of love and hope that grips at the heart' The Sunday Times A reclusive ex-film star living in the wilds of Ireland, Claudette Wells is a woman whose first instinct, when a stranger approaches her home, is to reach for her shotgun. Why is she so fiercely protective of her family, and what made her walk out of her cinematic career when she had the whole world at her feet? Her husband Daniel, reeling from a discovery about a woman he last saw twenty years ago, is about to make an exit of his own. It is a journey that will send him off-course, far away from the life he and Claudette have made together. Will their love for one another be enough to bring Daniel back home?
|Author||: David Bowman|
|Editor||: Harper Collins|
A fascinating glimpse behind the big suits and deadpan looks to the heart and soul of a band that made it big by playing it cool With their minimalist beats, sophisticated lyrics, and stoic mien, the Talking Heads were indisputably one of the most influential and intriguing bands of their time. Rising from the ashes of punk and the smoldering embers of the disco inferno, they effectively straddled the boundaries between critical and commercial success as few other groups did, with music you could deconstruct and dance to at the same time. Culture critic David Bowman tells the fascinating story of how this brain trust of talented musicians turned pop music on its head. From the band’s inception at the Rhode Island School of Design to their first big gig opening for the Ramones at CBGB, from their prominence in the worlds of art and fashion to the clash of egos and ideals that left them angry, jealous, and ready to call it quits, Bowman closely chronicles the rise and fall of a stunningly original and gloriously dysfunctional rock 'n' roll band that stayed together longer than anyone thought possible, and left a legacy that influences artists to this day.
|Author||: Robert Kronenburg|
|Editor||: Bloomsbury Publishing USA|
This Must Be The Place is the first architectural history of popular music performance space, describing its beginnings, its different typologies, and its development into a distinctive genre of building design. It examines the design and form of popular music architecture and charts how it has been developed in ad-hoc ways by non-professionals such as building owners, promoters, and the musicians themselves as well as professionally by architects, designers, and construction specialists. With a primary focus on Europe and North America (and excursions to Australia, the Far East and South America), it explores audience experience and how venues have influenced the development of different musical scenes. From music halls and Vaudeville in the 1800s, via the seminal clubs and theatres of the 20th century, to the large-scale multi-million-dollar arena concerts of today, this book explores the impact that the use of private and public space for performance has on our cities' urban identity, and, to a lesser extent, how rural space is perceived and used. Like architecture, popular music is neither static nor standardized; it continuously develops and has multiple strands. This Must Be The Place describes the factors that have determined the development of music venue architecture, focusing on both famous and less well-known examples from the smallest bar room music space to the largest stadium-filling rock set.
|Author||: Susan Jackson Rodgers|
|Editor||: Cornell University Press|
It's the summer of 1983. Ronald Reagan is in the White House, Princess Leia is on magazine covers, and Thea Knox is on the road. Fresh out of college, Thea is driving solo from California to New York. Her plan is to house-sit for her parents for the summer, but they sell her childhood home on a whim, leaving Thea (once again) to her own devices. She takes a detour to visit her Aunt Wendy in Merdale, a college town nestled in the Kansas prairie. Unlike Dorothy, Thea's adventure begins when she arrives in Kansas. Thea is immediately surrounded by her aunt's group of friends, including Julie, a bookstore owner; Nick, Julie's carpenter boyfriend; Bob, a stoner wildlife rehabilitator; and Amira, a lawyer who works with runaway girls. When she finds herself in love at first sight with Jimmy Ward, a local with a hazy past, Thea decides to extend her stay. Not everyone welcomes her into the fold, however, and Thea's own past—including her distant best friend and erstwhile boyfriends on either coast—is nipping at her heels. When she discovers a terrible secret that could upend Jimmy's world, the spell of happiness she has woven in this unlikely place threatens to break. This compelling coming-of-age novel explores the search for identity, love, friendship, and home, and celebrates the magic and mystery that exist in even the most ordinary places.
|Author||: Kate Racculia|
|Editor||: Henry Holt and Company|
A sudden death, a never-mailed postcard, and a longburied secret set the stage for a luminous and heartbreakingly real novel about lost souls finding one another The Darby-Jones boardinghouse in Ruby Falls, New York, is home to Mona Jones and her daughter, Oneida, two loners and self-declared outcasts who have formed a perfectly insular family unit: the two of them and the three eclectic boarders living in their house. But their small, quiet life is upended when Arthur Rook shows up in the middle of a nervous breakdown, devastated by the death of his wife, carrying a pink shoe box containing all his wife's mementos and keepsakes, and holding a postcard from sixteen years ago, addressed to Mona but never sent. Slowly the contents of the box begin to fit together to tell a story—one of a powerful friendship, a lost love, and a secret that, if revealed, could change everything that Mona, Oneida, and Arthur know to be true. Or maybe the stories the box tells and the truths it brings to life will teach everyone about love—how deeply it runs, how strong it makes us, and how even when all seems lost, how tightly it brings us together. With emotional accuracy and great energy, This Must Be the Place introduces memorable, charming characters that refuse to be forgotten.
|Author||: David Byrne|
*Updated with a new chapter on digital curation* How Music Works is David Byrne’s incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social or technological. Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers ever-new and thrilling realizations about the redemptive liberation that music brings us all.
Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris Including Books Street Fashion and Jewelry
|Author||: Leanne Shapton|
|Editor||: Sarah Crichton Books|
A love story told in the form of an auction catalog. Auction catalogs can tell you a lot about a person -- their passions and vanities, peccadilloes and aesthetics; their flush years and lean. Think of the collections of Jacqueline Kennedy Onassis, Truman Capote, the Duke and Duchess of Windsor. In Leanne Shapton's marvelously inventive and invented auction catalog, the 325 lots up for auction are what remain from the relationship between Lenore Doolan and Harold Morris (who aren't real people, but might as well be). Through photographs of the couple's personal effects -- the usual auction items (jewelry, fine art, and rare furniture) and the seemingly worthless (pajamas, Post-it notes, worn paperbacks) -- the story of a failed love affair vividly (and cleverly) emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple's accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate. In an earlier work, Was She Pretty?, Shapton, a talented artist and illustrator, subtly explored the seemingly simple yet powerfully complicated nature of sexual jealousy. In Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris—a very different yet equally original book—she invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.
|Author||: Michael Sweater|
The internet's worst punk, slice of life, humor comic about family, friendship, overcoming depression, finding your place in the world, and also sometimes black metal. It is drawn by Michael Sweater who used to be a baby.
|Author||: Wally Lamb|
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
|Author||: Anna Winger|
A "stealthily original" (The New York Times Book Review) debut novel of two people who find each other when they least expect it in a city haunted by history.BR Walter Baum has one of the most famous voices in Germany. A former television star, he's been dubbing Tom Cruise's lines into German for fifteen years. Now he finds himself nearing forty, alone and adrift. In the apartment below is Hope, a young American woman, isolated in a lonely city. When they finally meet in the elevator of the building they share, what transpires is "an essential love story for our confused and difficult times."(Gary Shteyngart, author of Absurdistan)
|Author||: Pieter Hugo,Ben Okri|
|Editor||: Aperture Foundation|
Pieter Hugo has garnered critical acclaim for his series of portraits and landscapes, each of which explore a facet of his native South Africa and neighboring African countries, including the film sets of Nigerias Nollywood; and toxic garbage dumps in Ghana; and sites of mass executions in Rwanda, as well as albinos, the Hyena Men of Nigeria, honey collectors, and garbage scavengers. Kin , a collection of images shot throughout South Africa over the past decade, focuses instead on the photgraphers family, his community, and himself. Writer John Mahoney characterizes it as the artists first major work to focus exclusively on his personal experience in his native South Africa, a place defined by centuries of political, cultural, and racial tensions and contradictions. Hugo describes his series as an engagement with the failure of the South African colonial experiment and my sense of being colonial driftwood. South Africa is such a fractured, schizophrenic, wounded, and problematic place . . . How does one take responsibility for history, and to what extent should one try? How do you raise a family in such a conflicted society? This work attempts to address these questions and reflect on the nature of conflicting personal and collective narratives.
|Author||: Shelby Lorman|
“Shelby and her art are extremely my shit. You need this book.” —Samantha Irby, New York Times bestselling author of We Are Never Meeting in Real Life “The rare Instagram-turned-book that actually works.” —Jezebel A wickedly funny illustrated look at living and dating in a patriarchal culture that celebrates men for displaying the bare minimum of human decency Surely you’re familiar with good boys. They’re the ones who put “feminist” in their Tinder bio but talk over you the entire date. They ghost you, but they feel momentarily guilty. They once read a book by a woman author. (It was required, but they thought it was “okay.”) And of course, they bravely condemn sexual harassment (except when the perpetrator is their buddy Chad). This book explores why so-called and self-proclaimed good boys are actually not so great, breaking down our obsession with celebrating male mediocrity and rewarding those who clear the very low bar of not being outwardly awful. Through clever illustrations and written vignettes, Awards for Good Boys makes literal the tendency to applaud men for doing the absolute least and offers hilarious and cathartic cultural commentary through which we may begin to unravel our own assumptions about gender roles and how we treat each other, both on and offline.
|Author||: Martin Lindstrom|
Draws on a cutting-edge brain-scan study of people from around the world to shed new light on what stimulates interest in a product and compels us to buy it, refuting common assumptions and myths while answering questions about product placement, subliminal advertising and more. Reprint. A best-selling book.
|Author||: Kawai Strong Washburn|
|Editor||: McClelland & Stewart|
“Old myths clash with new realities, love is in a ride or die with grief, faith rubs hard against magic, and comic flips with tragic so much they meld into something new. All told with daredevil lyricism to burn. A ferocious debut.” ―Marlon James, author of Black Leopard, Red Wolf “So good it hurts and hurts to where it heals. It is revelatory and unputdownable. Washburn is an extraordinarily brilliant new talent.” ―Tommy Orange, author of There There Sharks in the Time of Saviors is a groundbreaking debut novel that folds the legends of Hawai'ian gods into an engrossing family saga; a story of exile and the pursuit of salvation from Kawai Strong Washburn. In 1995, Kailua-Kona, Hawai'i, on a rare family vacation, seven-year-old Nainoa Flores falls overboard a cruise ship into the Pacific Ocean. When a shiver of sharks appears in the water, everyone fears for the worst. But instead, Noa is gingerly delivered to his mother in the jaws of a shark, marking his story as the stuff of legends. Nainoa's family, struggling amidst of the collapse of the sugarcane industry, hails his rescue as a sign of favor from ancient Hawaiian gods--a belief that appears validated after he exhibits puzzling new abilities. But as time passes, this supposed divine favor begins to drive the family apart: Nainoa, working now as a paramedic on the streets of Portland, struggles to fathom the full measure of his expanding abilities; further north in Washington, his older brother Dean hurtles into the world of elite college athletics, obsessed with wealth and fame; while in California, risk-obsessed younger sister Kaui navigates an unforgiving academic workload in an attempt to forge her independence from the family's legacy. When supernatural events revist the Flores family in Hawai'i--with tragic consequences--they are all forced to reckon with the bonds of family, the meaning of heritage, and the cost of survival.
|Author||: Susan Jackson Rodgers|
|Editor||: Northern Illinois University Press|
It's the summer of 1983. Ronald Reagan is in the White House, Princess Leia is on magazine covers, and Thea Knox is on the road. Fresh out of college, Thea is driving solo from California to New York. Her plan is to house-sit for her parents for the summer, but they sell her childhood home on a whim, leaving Thea (once again) to her own devices. She takes a detour to visit her Aunt Wendy in Merdale, a college town nestled in the Kansas prairie. Unlike Dorothy, Thea's adventure begins when she arrives in Kansas. Thea is immediately surrounded by her aunt's group of friends, including Julie, a bookstore owner; Nick, Julie's carpenter boyfriend; Bob, a stoner wildlife rehabilitator; and Amira, a lawyer who works with runaway girls. When she finds herself in love at first sight with Jimmy Ward, a local with a hazy past, Thea decides to extend her stay. Not everyone welcomes her into the fold, however, and Thea's own past--including her distant best friend and erstwhile boyfriends on either coast--is nipping at her heels. When she discovers a terrible secret that could upend Jimmy's world, the spell of happiness she has woven in this unlikely place threatens to break. This compelling coming-of-age novel explores the search for identity, love, friendship, and home, and celebrates the magic and mystery that exist in even the most ordinary places.
|Author||: L. Hill,H. Paris|
Written by both practitioners and scholars, this significant and timely collection explores the sites of contemporary performance, and the notion of place. The volume examines how we experience performance's varied sites as part of the fabric of the art work itself, whether they are institutional or transient, real or online.
|Author||: Fatima Farheen Mirza|
|Editor||: SJP for Hogarth|
A story of family identity and belonging follows an Indian family through the marriage of their daughter, from the parents' arrival in the United States to the return of their estranged son.
|Author||: Tessa Hadley|
|Editor||: Random House Canada|
A mesmerizing novel about family and the modern world encroaching upon the old, from one of Britain's finest contemporary novelists. Three adult sisters and their brother meet up at their grandparents' country home for their annual family holiday--three long, hot summer weeks. The beloved but crumbling house is full of memories of their childhood--of when their mother took them to stay with her parents when she left their father--but this could be their last summer in the house, now they may have to sell it. And under the idyllic pastoral surface, there are tensions. Alice has brought with her Kasim, the 20-year-old son of her ex-boyfriend, and he makes plans to seduce the quiet Molly, Roland's 16-year-old daughter. Fran's young children uncover an ugly secret in a ruined cottage in the woods, and observe the growing flirtation. Passion erupts where it's least expected, blasting the quiet self-possession of Harriet, the eldest sister. Roland has come with his new (third) wife, whom his sisters don't like...or do they? A way of life--bourgeois, literate, ritualized, Anglican--winds down to its inevitable end: which is a loss, and a release. With uncanny precision and extraordinary sympathy, Tessa Hadley charts the squalls of lust and envy disrupting this ill-assorted house party, as well as the consolations of memory and affection, the beauty of the natural world, the shifting of history under the social surface. From the first page the reader is absorbed and enthralled, watching a superb craftsperson unfold the lives of these unforgettable siblings.