The Detective in the Dooryard
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|Author||: Timothy A. Cotton|
|Editor||: Down East Books|
Tim Cotton has been a police officer for more than thirty years. The writer in him has always been drawn to the stories of the people he has met along the way. Dealing with the standard issue ne’er-do-wells as a patrol officer, homicide detective, polygraph examiner, and later as the lieutenant in charge of the criminal investigation division certainly provides an interesting backdrop—but more often he writes about the regular folks he encounters, people who need his help, or those who just want to share a joke or even a sad story. The Detective in the Dooryard is composed of stories about the people, places, and things of Maine. There are sad stories, big events, and even the very mundane, all told from the perspective of a seasoned police office and in the wry voice of a lifelong Mainer. Many of the stories will leave you chuckling, some will invariably bring tears to your eyes, but all will leave you with a profound sense of hope and positivity.
|Author||: Peggy Rowe|
|Editor||: Simon and Schuster|
A Message from Mike Rowe, the Dirty Jobs Guy: Just to be clear, About My Mother is a book about my grandmother, written by my mother. That’s not to say it’s not about my mother—it is. In fact, About My Mother is as much about my mother as it is about my grandmother. In that sense, it’s really a book about “mothers.” …It is not, however, a book written by me. True, I did write the foreword. But it doesn’t mean I’ve written a book about my mother. I haven’t. Nor does it mean my mother’s book is about her son. It isn’t. It’s about my grandmother. And my mother. Just to be clear.—Mike A love letter to mothers everywhere, About My Mother will make you laugh and cry—and see yourself in its reflection. Peggy Rowe’s story of growing up as the daughter of Thelma Knobel is filled with warmth and humor. But Thelma could be your mother—there’s a Thelma in everyone’s life. Shes the person taking charge—the one who knows instinctively how things should be. Today Thelma would be described as an alpha personality, but while growing up, her daughter Peggy saw her as a dictator—albeit a benevolent, loving one. They clashed from the beginning—Peggy, the horse-crazy tomboy, and Thelma, the genteel-yet-still-controlling mother, committed to raising two refined, ladylike daughters. Good luck. When major league baseball came to town in the early 1950s and turned sophisticated Thelma into a crazed Baltimore Orioles groupie, nobody was more surprised and embarrassed than Peggy. Life became a series of compromises—Thelma tolerating a daughter who pitched manure and galloped the countryside, while Peggy learned to tolerate the whacky Orioles fan who threw her underwear at the television, shouted insults at umpires, and lived by the orange-and-black schedule taped to the refrigerator door. Sometimes, we’re more alike than we know. And in case you’re wondering, Peggy knows a thing or two about dirty jobs herself…
|Author||: Peggy Rowe|
|Editor||: Forefront Books|
Peggy Rowe is at it again—this time giving a hilarious inside look at growing up Rowe, both before and after Mike’s rise to fame. Since the day they said, “I do,” Peggy’s previous “doting” lifestyle met with her husband John’s minimalist ways and became the backdrop for years of adventure and a quirky sense of humor because of their differences. From thoughts of wearing headlamps in the house to save energy, to squeezing out the last drop of toothpaste with a workbench vise, Peggy learned to pick her battles and celebrate the hilarity in each situation. Once their boys were born, woodstove mishaps and garbage dumping tales were the seed for Mike’s obsession with doing dirty jobs and the comical presence he is known for today. As Mike rose to fame, Peggy was his biggest fan—who gave motherly advice and constructive criticism, of course. She baked cookies for Mike to take to Joan Rivers for a Christmas party hostess gift, and even wrote fan letters under faux names and mailed them from different cities to Mike’s producer. By the time Mike hits it big, Peggy and John retire to face more adventures, with a lightning strike in their condo, an elderly friend who ate marijuana leaves, and entering into celebrity status by making Viva paper towel and Lee jeans commercials, plus so much more. Peggy’s stories relive the details that intrigue and entertain old and new fans alike. So if you want a bigger, even funnier take on the Rowe family, About Your Father and Other Celebrities I Have Known delivers.
|Author||: Charles A. Siringo|
|Editor||: U of Nebraska Press|
After years of cowboying, Charles A. Siringo had settled down to store-keeping in Caldwell, Kansas, when a blind phrenologist, traveling through, took the measure of his "mule head" and told him that he was "cut out" for detective work. Thereupon, Siringo joined the Pinkerton National Detective Agency in 1886. A Cowboy Detective chronicles his twenty-two years as an undercover operative in wilder parts of the West, where he rode with the lawless, using more stratagems and guises than Sherlock Holmes to bring them to justice and escaping violent death more often than Dick Tracy. He survived the labor riots at Coeur d'Alene, Idaho, in 1892 (his testimony helped convict eighteen union leaders), hounded moonshiners in the Appalachians, and chased Butch Cassidy's Wild Bunch. Once described as "a small wiry man, cold and steady as a rock" and "born without fear," Charlie Siringo became a favorite of high-ups in the Pinkerton organization. Nevertheless, the Pinkertons, ever sensitive to criticism, went to court to block publication of Siringo's book. Frank Morn, in his introduction to this Bison Books edition, discusses the changes that resulted from two years of litigation. Finally published in 1912 without Pinkerton in the title or the text, A Cowboy Detective has Siringo working for the "Dickensen Detective Agency" and meeting up with the likes of "Tim Corn," whom every western buff will recognize. The deeper truth of Siringo's book remains. As J. Frank Dobie wrote, "His cowboys and gunmen were not of Hollywood and folklore. He was an honest reporter.
|Author||: Lezlie Lowe|
|Editor||: Coach House Books|
Adults don't talk about the business of doing our business. We work on one assumption: the world of public bathrooms is problem- and politics-free. No Place To Go: Answering the Call of Nature in the Urban Jungle reveals the opposite is true. No Place To Go is a toilet tour from London to San Francisco to Toronto and beyond. From pay potties to deserted alleyways, No Place To Go is a marriage of urbanism, social narrative, and pop culture that shows the ways — momentous and mockable — public bathrooms just don't work. Like, for the homeless, who, faced with no place to go sometimes literally take to the streets. (Ever heard of a municipal poop map?) For people with invisible disabilities, such as Crohn’s disease, who stay home rather than risk soiling themselves on public transit routes. For girls who quit sports teams because they don’t want to run to the edge of the pitch to pee. Celebrities like Lady Gaga and Bruce Springsteen have protested bathroom bills that will stomp on the rights of transpeople. And where was Hillary Clinton after she arrived back to the stage late after the first commercial break of the live-televised Democratic leadership debate in December 2015? Stuck in a queue for the women’s bathroom. Peel back the layers on public bathrooms and it’s clear many more people want for good access than have it. Public bathroom access is about cities, society, design, movement, and equity. The real question is: Why are public toilets so crappy?
|Author||: Jason T. Eberl,George A. Dunn|
|Editor||: Lexington Books|
As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what’s “real,” the political psychology of heroes and villains, and what it means to be a “viewer” of Nolan’s films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan’s films provoke; exploring these questions yields its own reward.
|Author||: Rob Papen|
In 2001, Rob Papen began giving exclusive masterclasses teaching 'synthesizer sound design" in his studio, developing his own method, called "The 4 Element Synth".This 224 page book, which is accompanied by online media with over 10 hours of content, gives an in-depth insight into Rob's approach of working with subtractive synthesis.
|Author||: Maureen Gilmer|
|Editor||: Rowman & Littlefield|
If you live on a flood plain or wetland, you know the potential dangers—to you, your family, and your home. A major flood could strike at any time and you need to be prepared. But of even more immediate concern is the tiresome battle to keep your property free of minor floods and water seepage, which can be just as destructive—and costly—as a major flood. This all-purpose book guides you through the range of options you have to protect your property. And if a problem already exists, it shows you how to tackle the trouble and put your house back in order. This updated edition includes new information about flood plain laws and insurance as well as changes in government agency titles or roles in flood management.
|Author||: Paul Doiron|
|Editor||: Minotaur Books|
Anthony- and Edgar-award nominated author Paul Doiron delivers another "masterpiece of high-octane narrative" (Booklist) with his newest harrowing thriller about the hunt for a murderer at the height of a major snowstorm Maine game warden Mike Bowditch has been sent into exile, transferred by his superiors to a remote outpost on the Canadian border. When a blizzard descends on the coast, Bowditch is called to the rustic cabin of a terrified couple. A raving and half-frozen man has appeared at their door, claiming his friend is lost in the storm. But what starts as a rescue mission in the wilderness soon becomes a baffling murder investigation. The dead man is a notorious drug dealer, and state police detectives suspect it was his own friend who killed him. Bowditch isn't so sure, but his vow not to interfere in the case is tested when he finds himself powerfully attracted to a beautiful woman with a dark past and a troubled young son. The boy seems to know something about what really happened in the blizzard, but he is keeping his secrets locked in a cryptic notebook, and Mike fears for the safety of the strange child. Meanwhile, an anonymous tormentor has decided to make the new warden's life a living hell. Alone and outgunned, Bowditch turns for assistance to his old friend, the legendary bush pilot Charley Stevens. But in this snowbound landscape—where smugglers wage blood feuds by night—help seems very far away indeed. If Bowditch is going to catch a killer, he must survive on his own wits and discover strength he never knew he possessed.
|Author||: Bobby Cochran|
|Editor||: Hal Leonard Corporation|
(Book). Outrageously talented, remarkably handsome, internationally renowned, and dead at the age of 21. More than 40 years after the tragic car crash that killed him, Eddie Cochran remains one of rock and roll's most lamented "What Ifs." A trailblazing guitarist, gifted vocalist, hit-making composer and arranger, and budding whiz-kid producer, Cochran quickly ascended from Midwestern obscurity in the late '50s to become one of nascent rock and roll's leading lights. He penned or recorded many of the most recognized songs in rock history "Summertime Blues," "Nervous Breakdown," "Somethin' Else," "C'mon Everybody," "Twenty Flight Rock," "Sittin' in the Balcony" songs whose distinctive sound and defiant, often wryly humorous lyrics have been eagerly digested, analyzed and lovingly reinterpreted by generations of rockers after him, from The Beatles to the Sex Pistols, The Who to U2. Three Steps to Heaven: The Eddie Cochran Story co-authored by Cochran's nephew, also a gifted musician is the first American biography of this uniquely American rock legend, who was among the first to be inducted into the Rock and Roll Hall of Fame. The book is a detailed portrait of Cochran's personal and professional triumphs and travails, with fascinating insight into the rock pioneer's life that only a family member can provide. 33 B/W photographs; Hardcover.
|Author||: Norma Watkins|
|Editor||: Univ. Press of Mississippi|
Raised under the racial segregation that kept her family's southern country hotel afloat, Norma Watkins grows up listening at doors, trying to penetrate the secrets and silences of the black help and of her parents' marriage. Groomed to be an ornament to white patriarchy, she sees herself failing at the ideal of becoming a southern lady. The Last Resort, her compelling memoir, begins in childhood at Allison's Wells, a popular Mississippi spa for proper white people, run by her aunt. Life at the rambling hotel seems like paradise. Yet young Norma wonders at a caste system that has colored people cooking every meal while forbidding their sitting with whites to eat. Once integration is court-mandated, her beloved father becomes a stalwart captain in defense of Jim Crow as a counselor to fiery, segregationist Governor Ross Barnett. His daughter flounders, looking for escape. A fine house, wonderful children, and a successful husband do not compensate for the shock of Mississippi's brutal response to change, daily made manifest by the men in her home. A sexually bleak marriage only emphasizes a growing emotional emptiness. When a civil rights lawyer offers love and escape, does a good southern lady dare leave her home state and closed society behind? With humor and heartbreak, The Last Resort conveys at once the idyllic charm and the impossible compromises of a lost way of life.
|Author||: George Chakiris|
|Editor||: Rowman & Littlefield|
Natalie Wood and “lovely” Richard Beymer, to the mercurial Jerome Robbins and “passionate” Rita Moreno, with whom Chakiris remains friends. “I know exactly where my gratitude belongs,” Chakiris writes, “and I still marvel at how, unbeknownst to me at the time, the joyful path of my life was paved one night in 1949 when Jerome Robbins sat Leonard Bernstein and Arthur Laurents down in his apartment and announced, ‘I have an idea.’"
|Author||: Howard Norman|
|Editor||: Houghton Mifflin Harcourt|
Selling his life story to a filmmaker known for the stylized violence portrayed in his work in the aftermath of his sensual wife's murder, Sam develops a cat-and-mouse relationship with the filmmaker and begins experiencing wrenching hallucinations.
|Author||: Gore Vidal|
Lincoln is the cornerstone of Gore Vidal's fictional American chronicle, which includes Burr, 1876, Washington, D.C., Empire, and Hollywood. It opens early on a frozen winter morning in 1861, when President-elect Abraham Lincoln slips into Washington, flanked by two bodyguards. The future president is in disguise, for there is talk of a plot to murder him. During the next four years there will be numerous plots to murder this man who has sworn to unite a disintegrating nation. Isolated in a ramshackle White House in the center of a proslavery city, Lincoln presides over a fragmenting government as Lee's armies beat at the gates. In this profoundly moving novel, a work of epic proportions and intense human sympathy, Lincoln is observed by his loved ones and his rivals. The cast of characters is almost Dickensian: politicians, generals, White House aides, newspapermen, Northern and Southern conspirators, amiably evil bankers, and a wife slowly going mad. Vidal's portrait of the president is at once intimate and monumental, stark and complex, drawn with the wit, grace, and authority of one of the great historical novelists. With a new Introduction by the author.
|Author||: John Hodgkins|
|Editor||: Down East Books|
In 1964 three cousins tapped three thousand sugar maples deep in the Maine woods. They called themselves Jackson Mountain Maple Farm. Boiling Off is the story of making Maine maple syrup commercially in Temple, Maine, for fifty-some years, and how a thirty-year technology revolution beginning in the 1980s changed the face of Maine sugaring forever. Woven into the story of Jackson Mountain Maple Farm is the history of Maine sugaring beginning in Farmington in 1781, when Stephen Titcomb boiled off the first official pure Maine maple syrup in a cast iron kettle. Boiling Off tracks the evolution of sugaring technology from Titcomb’s kettle to reverse osmosis and heat exchangers; follows sap gathering techniques from buckets and oxen-drawn drays to plastic tubing and vacuum pumps; and records production in Maine from 8,000 gallons of maple syrup in 1985 to 709,000 gallons in 2017. The story describes the subtleties of syrup flavor, how it is properly graded, and the art of making award-winning maple syrup. It also reveals who produces Maine maple syrup, where it is harvested, and how L. L. Bean first came to stock it on their shelves.
|Author||: Eunice Rojas|
|Editor||: Lexington Books|
Spaces of Madness examines the role of the insane asylum in Argentine prose works published between 1889 and 2011. From a place of existential exile at the turn of the twentieth century to a symbolic representation of Argentine society during and immediately subsequent to the Dirty War, the figure of the asylum in Argentine literature has evolved along with the institution itself. The authors studied in Spaces of Madness include Manuel T. Podestá, Roberto Arlt, Leopoldo Marechal, Julio Cortázar, Adolfo Bioy Casares, Juan José Saer, Abelardo Castillo, Ricardo Piglia, and Luisa Valenzuela.
|Author||: Aislinn Sarnacki|
|Editor||: Rowman & Littlefield|
Whether you’re a visitor or a local looking for something different, Maine Hikes Off the Beaten Path leads you through the Pine Tree State with stunning views along the way--from mountaintops to trails and wildlife reserves. In this collection of hikes, Bangor Daily News outdoors reporter Aislinn Sarnacki presents thirty-five hikes around the state that will let you experience the Maine wilderness.
|Author||: Eric Hodgins,William Steig|
|Editor||: Simon and Schuster|
Mr. Blandings and his wife, buy an old farmhouse, unaware of the costly and unforseen repercussions of their decision.
|Author||: Robert Burleigh|
Dramatic, lyrical, and beautifully illustrated, O Captain, My Captain tells the story of one of America’s greatest poets and how he was inspired by one of America’s greatest presidents. Whitman and Lincoln shared the national stage in Washington, DC, during the Civil War. Though the two men never met, Whitman would often see Lincoln’s carriage on the road. The president was never far from the poet’s mind, and Lincoln’s “grace under pressure” was something Whitman returned to again and again in his poetry. Whitman witnessed Lincoln’s second inauguration and mourned along with America as Lincoln’s funeral train wound its way across the landscape to his final resting place. The book includes the poem “O Captain! My Captain!” and an excerpt from “When Lilacs Last in the Dooryard Bloom’d,” brief bios of Lincoln and Whitman, a timeline of Civil War events, endnotes, and a bibliography.