The Catcher in the Rye
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|Author||: Jerome Salinger|
"The Catcher in the Rye" (in other translations - "Break on the edge of rye fields of childhood," "Catcher in the grain field," English The Catcher in the Rye -. The Catcher in the Rye," 1951) - a novel by American writer Jerome Salinger. In it on behalf of the 16-year old boy named Holden in a very blatant form it tells about his heightened perception of American reality and the rejection of the common canons and morality of modern society. The work was immensely popular among young people and among the adult population, have a significant impact on world culture of the second half of the XX century. The novel was translated almost all world languages. In 2005, Time magazine included the novel in the list of the 100 best English-language novels written since 1923, and publisher Modern Library [en] included in its list of the 100 best English-language novels of the 20th century. However, despite this, at the same time in the US the novel has often been criticized, and the prohibition of the large amount of obscene language.
|Author||: J. D. Salinger|
|Editor||: Penguin Books Limited|
The Catcher in Rye is the ultimate novel for disaffected youth, but it's relevant to all ages. The story is told by Holden Caulfield, a seventeen- year-old dropout who has just been kicked out of his fourth school. Throughout, Holden dissects the 'phony' aspects of society, and the 'phonies' themselves- the headmaster whose affability depends on the wealth of the parents, his roommate who scores with girls using sickly-sweet affection. Lazy in style, full of slang and swear words, it's a novel whose interest and appeal comes from its observations rather than its plot intrigues (in conventional terms, there is hardly any plot at all). Salinger's style creates an effect of conversation, it is as though Holden is speaking to you personally, as though you too have seen through the pretences of the American Dream and are growing up unable to see the point of living in, or contributing to, the society around you. Written with the clarity of a boy leaving childhood, it deals with society, love, loss, and expectations without ever falling into the clutch of a cliche
|Author||: J. D. Salinger|
|Editor||: Hamish Hamilton|
It's Christmas time and Holden Caulfield has just been expelled from yet another school. Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters - shooting the bull with strangers in dive hotels, wandering alone round Central Park, getting beaten up by pimps and cut down by erstwhile girlfriends. The city is beautiful and terrible, in all its neon loneliness and seedy glamour, its mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister Phoebe, the only person who really understands him, and his determination to escape the phonies and find a life of true meaning. The Catcher in the Rye is an all-time classic in coming-of-age literature- an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind.
|Author||: Sarah Graham|
|Editor||: A&C Black|
J. D. Salinger's 1951 novel, The Catcher in the Rye, is the definitive coming-of-age novel and Holden Caulfield remains one of the most famous characters in modern literature. This jargon-free guide to the text sets The Catcher in the Rye in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, and presenting an up-to-date account of its critical reception.
|Author||: Sarah Graham|
J.D. Salinger’s The Catcher in the Rye (1951) is a twentieth-century classic. Despite being one of the most frequently banned books in America, generations of readers have identified with the narrator, Holden Caulfield, an angry young man who articulates the confusion, cynicism and vulnerability of adolescence with humour and sincerity. This guide to Salinger’s provocative novel offers: an accessible introduction to the text and contexts of The Catcher in the Rye a critical history, surveying the many interpretations of the text from publication to the present a selection of new critical essays on the The Catcher in the Rye, by Sally Robinson, Renee R. Curry, Denis Jonnes, Livia Hekanaho and Clive Baldwin, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of The Catcher in the Rye and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Salinger’s text.
|Author||: Jack Salzman|
|Editor||: Cambridge University Press|
Five essays focus on various aspects of the novel from its ideology within the context of the Cold War and portrait of a particular American subculture to its account of patterns of adolescent crisis and rich and complex narrative structure.
|Author||: Alyson Noël|
|Editor||: St. Martin's Griffin|
From the #1 New York Times bestselling author of The Immortals, Alyson Noël, comes Fated—a breathtaking new saga brimming with magic, mystery, and an intoxicating love story that will steal your heart away. Meet The Soul Seekers. Strange things are happening to Daire Santos. Crows mock her, glowing people stalk her, time stops without warning, and a beautiful boy with unearthly blue eyes haunts all her dreams. Fearing for her daughter's sanity, Daire's mother sends her to live with the grandmother she's never met. A woman who recognizes the visions for what they truly are—the call to her destiny as a Soul Seeker—one who can navigate the worlds between the living and dead. There on the dusty plains of Enchantment, New Mexico, Daire sets out to harness her mystical powers. But it's when she meets Dace, the boy from her dreams, that her whole world is shaken to its core. Now Daire is forced to discover if Dace is the one guy she's meant to be with...or if he's allied with the enemy she's destined to destroy.
|Author||: Keith Dromm,Heather Salter|
|Editor||: Open Court Publishing|
Collects essays that look at J.D. Salinger's "The Catcher in the Rye" through a philosophical approach.
|Author||: Harold Bloom|
|Editor||: Infobase Publishing|
Presents a collection of essays analyzing Salinger's The catcher in the rye, including a chronology of his works and life.
|Author||: Keith Dromm,Heather Salter|
|Editor||: Open Court|
Few novels have had more influence on individuals and literary culture than J.D. Salinger’s The Catcher in the Rye. Published in 1951 and intended by Salinger for adults (early drafts were published in the New Yorker and Colliers), the novel quickly became championed by youth who identified with the awkwardness and alienation of the novel’s protagonist, Holden Caulfield. Since then the book and its reclusive author have been fixtures of both popular and literary culture. Catcher is perhaps the only modern novel that is revered equally by the countless Americans whom Holden Caulfield helped through high school and puberty and literary critics (such as the New Yorker’s Adam Gopnik who insisted as recently as 2010 that Catcher is a "perfect" twentieth-century novel). One premise of The Catcher in the Rye and Philosophy is that the ease and sincerity with which readers identify with Holden Caulfield rests on Salinger’s attention to the nuances and qualities of experience in the modern world. Coupled with Salinger’s deft subjective, first-person style, Holden comes to seem more real than any fictional character should. This and other paradoxes raised by the novel are treated by authors who find answers in philosophy, particularly in twentieth-century phenomenology and existentialism--areas of philosophy that share Salinger’s attention to lived, as opposed to theorized, experience. Holden’s preoccupation with “phonies,” along with his constant striving to interpret and judge the motives and beliefs of those around him, also taps into contemporary interest in philosophical theories of justice and Harry Frankfurt’s recently celebrated analysis of "bullshit." Per Salinger’s request, Catcher has never been made into a movie. One measure of the devotion and fanatical interest Catcher continues to inspire, however, is speculation in blogs and magazines about whether movie rights may become available in the wake of Salinger’s death in 2010. These articles remain purely hypothetical, but the questions they inspire--Who would direct? And, especially, Who would star as Holden Caulfield?--are as vivid and real as Holden himself.
|Author||: Peter G. Beidler|
Peter G. Beidler's Reader's Companion is an indispensable guide for teachers, students, and general readers who want fully to appreciate Salinger's perennial bestseller.
|Author||: Dirk Lepping|
|Editor||: GRIN Verlag|
Essay from the year 2000 in the subject American Studies - Literature, grade: 2,0 (B), University of Münster (English Seminar Münster), course: American Teenage Culture of the 50s, language: English, abstract: There aren’t many heroes in contemporary literature who have aroused so much devotion, imitation or controversy as J.D. Salinger’s Holden Caulfield. Salinger's novel The Catcher in the Rye, which was banned in America after its first publication, has influenced teenagers and adolescents until today. The very first lines of Salinger’s novel The Catcher in the Rye apparently indicate that something has happened to Holden that perhaps most readers would not want to know about: "If you really want to hear about it...". So, what is The Catcher in the Rye actually about? It is the story of Holden Caulfield, a teenager growing up in New York, who has been expelled from school. In an attempt to deal with this situation, he decides to take a trip to New York, but this trip becomes a complete horror trip, during which he frequently suffers from unexplained depression, feelings of isolation and thoughts of suicide. Finally, his trip ends in a nervous breakdown. Told as a monologue, the book describes Holden's thoughts and activities of this threeday odyssey. Therefore the reader is forced to see social problems from Holden's point of view. Holden is confused about much of the world around him and he is disillusioned with life. One of the most significant features of Holden Caulfield’s character and personality is his relationship to other people. The way he feels and thinks about others as well as the way he treats them, reflects his difficulties with the world he lives in. Undoubtedly, there is a close link between Holden’s attitude towards social conventions and requirements since the people Holden is involved with represent a part of society. On the other hand, relationships always imply feelings, which enables the reader to get an insight into Holden’s emotional frame of mind. [...]
|Author||: Pamela Hunt Steinle|
|Editor||: Ohio University Press|
Attempts to remove Catcher from high schools as an "un-American" text have generated continuous and extensive controversy, distinguishing it as one of the most frequently taught postwar novels - and the most frequently censored."--BOOK JACKET.
|Author||: Sarah Graham|
J D Salinger's "The Catcher in the Rye" is a 20th-century classic. Part of the "Routledge Guides to Literature" series, this guide to Salinger's novel offers: an introduction to the text and contexts of "The Catcher in the Rye"; a critical history; a selection of critical essays on this novel; and cross-references between sections of the guide.
|Author||: J.D. Salinger|
|Editor||: Little, Brown|
"Perhaps the best book by the foremost stylist of his generation" (New York Times), J. D. Salinger's Franny and Zooey collects two works of fiction about the Glass family originally published in The New Yorker. "Everything everybody does is so--I don't know--not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and--sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way." A novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. It is a gleaming example of the wit, precision, and poignancy that have made J. D. Salinger one of America's most beloved writers.
|Author||: Christopher Beha|
|Editor||: Tin House Books|
“A significant novel, beautifully crafted and deeply felt. Beha creates a high bonfire of our era's vanities. . . .This is a novel to savor.”- Colum McCann Through baseball, finance, media, and religion, Beha traces the passing of the torch from the old establishment to the new meritocracy, exploring how each generation’s failure helped land us where we are today. What makes a life, Sam Waxworth sometimes wondered—self or circumstance? On the day Sam Waxworth arrives in New York to write for the Interviewer, a street-corner preacher declares that the world is coming to an end. A data journalist and recent media celebrity—he correctly forecast every outcome of the 2008 election—Sam knows a few things about predicting the future. But when projection meets reality, life gets complicated. His first assignment for the Interviewer is a profile of disgraced political columnist Frank Doyle, known to Sam for the sentimental works of baseball lore that first sparked his love of the game. When Sam meets Frank at Citi Field for the Mets’ home opener, he finds himself unexpectedly ushered into Doyle’s crumbling family empire. Kit, the matriarch, lost her investment bank to the financial crisis; Eddie, their son, hasn’t been the same since his second combat tour in Iraq; Eddie’s best friend from childhood, the fantastically successful hedge funder Justin Price, is starting to see cracks in his spotless public image. And then there’s Frank’s daughter, Margo, with whom Sam becomes involved—just as his wife, Lucy, arrives from Wisconsin. While their lives seem inextricable, none of them know how close they are to losing everything, including each other. Sweeping in scope yet meticulous in its construction, The Index of Self-Destructive Acts is a remarkable family portrait and a masterful evocation of New York City and its institutions. Over the course of a single baseball season, Christopher Beha traces the passing of the torch from the old establishment to the new meritocracy, exploring how each generation’s failure helped land us where we are today. Whether or not the world is ending, Beha’s characters are all headed to apocalypses of their own making.