A Thousand Splendid Suns Epz Ed
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|Author||: Charles Rampini|
|Editor||: Das Press|
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
|Author||: Natalie Zemon Davis,Martin Guerre,Arnault Du Tilh|
|Editor||: Harvard University Press|
The clever peasant Arnaud du Tilh had almost won his case, when a man with a wooden leg swaggered into the French courtroom, denounced du TiIh, and reestablished his claim to the identity, property, and wife of Martin Guerre. This book, by the noted historian who served as a consultant for the film, adds new dimensions to this famous legend.
|Author||: Paul F. Steinberg,Stacy D. VanDeveer|
|Editor||: MIT Press|
Combining the theoretical tools of comparative politics with the substantive concerns of environmental policy, experts explore responses to environmental problems across nations and political systems.
|Author||: Lew Wallace|
This book contains the complete novels of Lew Wallace - The Fair God - Ben-Hur: A Tale of the Christ - The Prince of India; or, Why Constantinople Fell
|Author||: Nora Roberts|
|Editor||: St. Martin's Paperbacks|
#1 bestselling phenomenon Nora Roberts, “America’s favorite author” (The New Yorker), orchestrates a reunion between former lovers that hits all the right notes in Once More With Feeling. Celebrated musicians Raven Williams and Brandon Carstairs rose to the top of the charts—and to the front page of the gossip columns—before their relationship imploded. Heartbroken, Raven immersed herself into music, putting her career above life and love. Five years later, Brandon has been hired to score a potential blockbuster musical film—and wants Raven to co-write it with him. And as the melody and rhythm of their work flows, Raven and Brandon embrace the harmony of their hearts...
|Author||: Jeffrey A. Brown|
|Editor||: Univ. Press of Mississippi|
Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture addresses the conflicted meanings associated with the figure of the action heroine as she has evolved in various media forms since the late 1980s. Jeffrey A. Brown discusses this immensely popular character type as an example of, and challenge to, existing theories about gender as a performance identity. Her assumption of heroic masculine traits combined with her sexualized physical depiction demonstrates the ambiguous nature of traditional gender expectations and indicates a growing awareness of more aggressive and violent roles for women. The excessive sexual fetishism of action heroines is a central theme throughout. The topic is analyzed as an insight into the transgressive image of the dominatrix, as a refection of the shift in popular feminism from second-wave politics to third-wave and post-feminist pleasures, and as a form of patriarchal backlash that facilitates a masculine fantasy of controlling strong female characters. Brown interprets the action heroine as a representation of changing gender dynamics that balances the sexual objectification of women with progressive models of female strength. While the primary focus of this study is the action heroine as represented in Hollywood film and television, the book also includes the action heroine's emergence in contemporary popular literature, comic books, cartoons, and video games.
|Author||: Flora Jessop,Paul T. Brown|
|Editor||: John Wiley & Sons|
From the Preface: "My name is Flora Jessop. I've been called apostate, vigilante, and crazy bitch, and maybe I am. But some people call me a hero, and I'd like to think they're right too. If I am a hero, maybe it's because every time I can play a part in saving a child or a woman from a life of servitude and degradation, I'm saving a little piece of me, too. I was one of twenty-eight children born to my dad and his three wives. Indoctrinated to believe that the outside world was evil, and that I resided among the righteous, I was destined to marry a man chosen for me by the Prophet. I would then live in harmony with my sister-wives, bear many children, and obey and serve my future husband in this life and throughout eternity. But my innocence didn't last long. While still a child, I understood that the church of the righteous was nothing but a church of lies. When I was eight years old my father sexually molested me for the first time, raping me when I was twelve. I tried to kill myself. Beaten, molested, taunted, and abused by family members alleging they only wanted to save my soul became a daily routine, I ran from this abuse more than once in my early teens--even attempting to cross the desert on foot. My family hunted me down. I thought government agencies would provide me safety if I reported my father. Instead, police and social services colluded with the FLDS to return me to my family and I ended up back inside polygamy, right where I started." Flora goes on from there to tell the dramatic true story of how she ultimately escaped and has been fighting against frustrating obstacles with hard fought successes in rescuing women and children from the FLDS. It's a story you can't put down.
|Author||: William Stanley Braithwaite|
|Editor||: Palala Press|
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
|Author||: Christian August Lobeck|
|Editor||: Franklin Classics|
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.