A Rage for Order
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|Author||: Robert F. Worth|
|Editor||: Farrar, Straus and Giroux|
The definitive work of literary journalism on the Arab Spring and its troubled aftermath In 2011, a wave of revolution spread through the Middle East as protesters demanded an end to tyranny, corruption, and economic decay. From Egypt to Yemen, a generation of young Arabs insisted on a new ethos of common citizenship. Five years later, their utopian aspirations have taken on a darker cast as old divides reemerge and deepen. In one country after another, brutal terrorists and dictators have risen to the top. A Rage for Order is the first work of literary journalism to track the tormented legacy of what was once called the Arab Spring. In the style of V. S. Naipaul and Lawrence Wright, the distinguished New York Times correspondent Robert F. Worth brings the history of the present to life through vivid stories and portraits. We meet a Libyan rebel who must decide whether to kill the Qaddafi-regime torturer who murdered his brother; a Yemeni farmer who lives in servitude to a poetry-writing, dungeon-operating chieftain; and an Egyptian doctor who is caught between his loyalty to the Muslim Brotherhood and his hopes for a new, tolerant democracy. Combining dramatic storytelling with an original analysis of the Arab world today, A Rage for Order captures the psychic and actual civil wars raging throughout the Middle East, and explains how the dream of an Arab renaissance gave way to a new age of discord.
|Author||: Lauren Benton,Lisa Ford|
|Editor||: Harvard University Press|
Lauren Benton and Lisa Ford find the origins of international law in empires, especially in the British Empire’s sprawling efforts to refashion the imperial constitution and reorder the world. These attempts touched on all the issues of the early nineteenth century, from slavery to revolution, and changed the way we think about the empire’s legacy.
|Author||: David Tracy|
|Editor||: University of Chicago Press|
In Blessed Rage for Order, David Tracy examines the cultural context in which theological pluralism emerged. Analyzing orthodox, liberal, neo-orthodox, and radical models of theology, Tracy formulates a new 'revisionist' model. He considers which methods promise the most certain results for a revisionist theology and applies his model to the principal questions in contemporary theology, including the meanings of religion, theism, and of christology.
|Author||: Stephen Bodio|
|Editor||: Simon and Schuster|
Thus begins the tale by Stephen Bodio, a lover of birds and nature, of the incredible connection between man and birds of prey. Falconry can be traced back over four thousand years and, as Bodio says, “it is amazing that the practice did not die out soon afterward when its first adherents starved.” With a new introduction by Helen MacDonald, A Rage For Falcons not only shares the history of falconry, but shows the personal side in a way only Bodio can share. With masterful prose and breathtaking imagery, you not only understand how falconry has lasted, but why. As Bodio so appropriately notes in his introduction: “To understand falconry, you must understand the nature of the relationship between man and bird.” In A Rage For Falcons, Bodio explores this incredible relationship and how it has affected him as a person. Never has such a personal touch been put on a sport that has lasted generations, which many people still do not have a grasp of. That’s what makes Bodio so great. While his words may not convince you to take up the sport, will certainly open your eyes to appreciate a world unlike any other.
|Author||: Joel Williamson|
|Editor||: Oxford University Press|
The Crucible of Race, a major reinterpretation of black-white relations in the South, was widely acclaimed on publication and compared favorably to two of the seminal books on Southern history: Wilbur J. Cash's The Mind of the South and C. Vann Woodward's The Strange Career of Jim Crow. Representing 20 years of research and writing on the history of the South, The Crucible of Race explores the large topic of Southern race relations for a span of a century and a half. Oxford is pleased to make available an abridgement of this parent volume: A Rage for Order preserves all the theme lines that were advanced in the original volume and many of the individual stories. As in Crucible of Race, Williamson here confronts the awful irony that the war to free blacks from slavery also freed racism. He examines the shift in the power base of Southern white leadership after 1850 and recounts the terrible violence done to blacks in the name of self-protection. This condensation of one of the most important interpretations of Southern history is offered as a means by which a large audience can grasp the essentials of black-white relations--a problem that persists to this day and one with which we all must contend--North and South, black and white.
|Author||: B.A. Ross|
|Editor||: Page Publishing Inc|
Throughout the nine known recorded Epoch Ages, nine-hundred years of history, there stands a bloodline that demands attention-the Kindred lineage-a divine ancestry linked to the blessed goddess Gaeanna herself. Cursed with a blood oath to rid Davarus of the goddess's betrayer-Rehab-each heir of the Kindred line is compelled to destroy him and his viral bloodthirsty people-the Revenants. After nine Epoch Ages, the line of Kindred has dwindled to near extinction. Leading up to the tragic kidnapping of his twin brother, Valen, the next heir of the Kindred bloodline-Divad Tarso-a powerful Magen and Commander of the Raven Order, is sent to rescue him. Betrayal befalls his team. Divad was cursed, infected by the Revenant plague with a deep lust for blood. As a result of uncontrollable circumstances that followed his infection, he was exiled from his knightly order. Now many years later, he has been reluctantly called upon, once again to serve his kingdom. His mission-to unravel a mysterious gathering of Revenants and extract any information he can-or so he is told. As he soon discovers, his betrayer lies in wait for him. Divad must muster his courage and come face to face with his brother's killer, the very Revenant that cursed him.
|Author||: Lee Jenkins|
This revisionary study of Wallace Stevens queries the dominant interpretations of the poet's career. It redirects the reader's attention to the neglected achievement of Stevens' first book, HARMONIUM (1923), and examines the pluralism of these early poems in the context of current critical revaluations of modernisms. The poetry Stevens went on to write is interrogated with scepticism. In major focus here is the figure of the hero or Major Man in poems and prose written at the time of the Second World War. The book concludes with a revaluation of the different stance of Stevens' late poems, which are here read as poems of doubt, poems which retract Stevens own, will-bound poetic. Comparison is made with the late poems of W.B. Yeats, which also cast doubt over the poet's own, earlier achievements. The originality of this book lies in its new interpretation of Stevens, and in its British (and Irish) viewpoint. A principal contrubution is the extended discussion of Stevens' relationship with the Irish poet Thomas MacGreevy. Where other of Stevens' correspondents have critical studies devoted to their work, to date there has ben little analysis of MacGreevy and Stevens. This is the first British book on Stevens since Frank Kermode's WALLACE STEVENS (Faber, 1989). This and subsequent "controversial" Studies (Pennso, HARMONIUM AND THE WHOLE OF THE HARMONIUM; and Halliday, STEVENS AND THE INTERPERSONAL) are acknowledged in the broader discussion of current critical respeonses to Stevens.
|Author||: Noah Feldman|
|Editor||: Princeton University Press|
A New York Times Book Review Editors’ Choice Why the conventional wisdom about the Arab Spring is wrong The Arab Spring promised to end dictatorship and bring self-government to people across the Middle East. Yet everywhere except Tunisia it led to either renewed dictatorship, civil war, extremist terror, or all three. In The Arab Winter, Noah Feldman argues that the Arab Spring was nevertheless not an unmitigated failure, much less an inevitable one. Rather, it was a noble, tragic series of events in which, for the first time in recent Middle Eastern history, Arabic-speaking peoples took free, collective political action as they sought to achieve self-determination. Focusing on the Egyptian revolution and counterrevolution, the Syrian civil war, the rise and fall of ISIS in Syria and Iraq, and the Tunisian struggle toward Islamic constitutionalism, Feldman provides an original account of the political consequences of the Arab Spring, including the reaffirmation of pan-Arab identity, the devastation of Arab nationalisms, and the death of political Islam with the collapse of ISIS. He also challenges commentators who say that the Arab Spring was never truly transformative, that Arab popular self-determination was a mirage, and even that Arabs or Muslims are less capable of democracy than other peoples. Above all, The Arab Winter shows that we must not let the tragic outcome of the Arab Spring disguise its inherent human worth. People whose political lives had been determined from the outside tried, and for a time succeeded, in making politics for themselves. That this did not result in constitutional democracy or a better life for most of those affected doesn't mean the effort didn't matter. To the contrary, it matters for history—and it matters for the future.
|Author||: John Jacobs|
|Editor||: Univ of California Press|
"A Rage for Justice" tells the riveting story of Phillip Burton (1926-1983), one of the most brilliant, driven, and productive legislators in Californian and American politics. A ruthless and unabashed progressive, Burton played a pivotal role in championing welfare and civil rights, labor legislation, environmentalism, and congressional reform. 20 photos.
|Author||: Van Sickle, Meta L.,Swanson, Julie D.,Bazler, Judith A.,Lubniewski, Kathryn L.|
|Editor||: IGI Global|
Much of the research about teachers focuses on “those who can’t/don’t/aren’t good” in the classroom. However, teachers who are gifted and talented exist, but there has been little attention to date on the characteristics and practices of such teachers in the classroom. While few, the examples of research on positive teacher attributes include work on the “expert,” “authentic,” and “creative,” as well as examples of research on eminent adults. Identifying, Describing, and Developing Teachers Who Are Gifted and Talented is an essential reference source that discusses behaviors and traits in teachers who are considered gifted and talented as well as case studies on the identification and preparation of teachers who fall into this category. Featuring research on topics such as creative innovation, emotional intelligence, and skill development, this book is ideally designed for educators, administrators, researchers, and academicians.
|Author||: Nicola Shulman|
|Editor||: Short Books|
A new edition of Nicola Shulman's miniature masterpiece about the life of gardener Reginald Farrer A hundred years ago, there was a revolution in British gardening, as the garden changed from being a diversion of dukes to the hobby of millions. Few figures were more prominent in this renaissance than Reginald Farrer, whose passion for alpines, the most demanding of plants, would inspire generations with a love of flowers. He was the man who put a rockery in every back garden. Tormented by physical and emotional misfortune, Farrer was one of those 'born to endless night'. Yet in the realm of horticulture his many faults were turned to advantages, and he became one of the great plant-hunters, collecting new species from the mountains of Tibet and China. Through the influence of his extraordinary books, Farrer did for English gardening what, half a century later, Elizabeth David would do for its cookery, changing everything forever.
|Author||: Bob Woodward|
|Editor||: Simon & Schuster|
OVER 2 MILLION COPIES SOLD RUNAWAY #1 NEW YORK TIMES BESTSELLER SENSATIONAL #1 INTERNATIONAL BESTSELLER “Explosive.”—The Washington Post “Devastating.”—The New Yorker “Unprecedented.”—CNN “Great reporting...astute.”—Hugh Hewitt THE INSIDE STORY ON PRESIDENT TRUMP, AS ONLY BOB WOODWARD CAN TELL IT With authoritative reporting honed through nine presidencies, author Bob Woodward reveals in unprecedented detail the harrowing life inside President Donald Trump’s White House and precisely how he makes decisions on major foreign and domestic policies. Fear is the most intimate portrait of a sitting president ever published during the president’s first years in office. The focus is on the explosive debates and the decision-making in the Oval Office, the Situation Room, Air Force One and the White House residence. Woodward draws from hundreds of hours of interviews with firsthand sources, meeting notes, personal diaries, files and documents. Often with day-by-day details, dialogue and documentation, Fear tracks key foreign issues from North Korea, Afghanistan, Iran, the Middle East, NATO, China and Russia. It reports in-depth on Trump’s key domestic issues particularly trade and tariff disputes, immigration, tax legislation, the Paris Climate Accord and the racial violence in Charlottesville in 2017. Fear presents vivid details of the negotiations between Trump’s attorneys and Robert Mueller, the special counsel in the Russia investigation, laying out for the first time the meeting-by-meeting discussions and strategies. It discloses how senior Trump White House officials joined together to steal draft orders from the president’s Oval Office desk so he would not issue directives that would jeopardize top secret intelligence operations. “It was no less than an administrative coup d’état,” Woodward writes, “a nervous breakdown of the executive power of the most powerful county in the world.”
|Author||: Steven W. Webster|
|Editor||: Cambridge University Press|
Anger is the central emotion governing US politics, lowering trust in government, weakening democratic values, and forging partisan loyalty.
|Author||: Alice Wong|
According to the last census, one in five people in the United States lives with a disability. Some are visible, some are hidden--but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together an urgent, galvanizing collection of personal essays by contemporary disabled writers. There is Harriet McBryde Johnson's "Unspeakable Conversations," which describes her famous debate with Princeton philosopher Peter Singer over her own personhood. There is columnist s. e. smith's celebratory review of a work of theater by disabled performers. There are original pieces by up-and-coming authors like Keah Brown and Haben Girma. There are blog posts, manifestos, eulogies, and testimonies to Congress. Taken together, this anthology gives a glimpse of the vast richness and complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own assumptions and understandings. It celebrates and documents disability culture in the now. It looks to the future and past with hope and love.
|Author||: Shihab al-Din al-Nuwayri|
For the first time in English, a catalog of the world through fourteenth-century Arab eyes—a kind of Schott’s Miscellany for the Islamic Golden Age An astonishing record of the knowledge of a civilization, The Ultimate Ambition in the Arts of Erudition catalogs everything known to exist from the perspective of a fourteenth-century Egyptian scholar and litterateur. More than 9,000 pages and thirty volumes—here abridged to one volume, and translated into English for the first time—it contains entries on everything from medieval moon-worshipping cults, sexual aphrodisiacs, and the substance of clouds, to how to get the smell of alcohol off one’s breath, the deliciousness of cheese made from buffalo milk, and the nesting habits of flamingos. Similar works by Western authors, including Pliny’s Natural History and Diderot’s Encyclopédie, have been available in English for centuries. This groundbreaking translation of a remarkable Arabic text—expertly abridged and annotated—offers a look at the world through the highly literary and impressively knowledgeable societies of the classical Islamic world. Meticulously arranged and delightfully eclectic, it is a compendium to be treasured—a true monument of erudition. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
|Author||: Susan Wells|
|Editor||: Stanford University Press|
Our Bodies, Ourselves, first published by a mainstream press in 1973, is now in its eighth major edition. It has been translated into twenty-nine languages, has generated a number of related projects, and, with over four million copies sold, is as popular as ever. This study tells the story of the first two decades of the pioneering best-seller—a collectively produced guide to women's health—from its earliest, most experimental and revolutionary years, when it sought to construct a new, female public sphere, to its 1984 revision, when some of the problems it first posed were resolved and the book took the form it has held to this day. Wells undertakes a rhetorical and sociological analysis of the best-seller and of the work of the Boston Women's Health Book Collective that produced it. In the 1960s and 1970s, as social movements were on the rise and many women entered higher education, new writing practices came into existence. In the pages of Our Bodies, Ourselves, matters that had been private became public. Readers, encouraged to trust their own experiences, began to participate in a conversation about health and medicine. The writers of Our Bodies, Ourselves researched medical texts and presented them in colloquial language. Drafting and revising in groups, they invented new ways of organizing the task of writing. Above all, they presented medical information by telling stories. We learn here how these stories were organized, and how the writers drew readers into investigating both their own bodies and the global organization of medical care. Extensive archival research and interviews with the members of the authorial collective shed light on a grassroots undertaking that revolutionized the writing of health books and forever changed the relationship between health experts and ordinary women.