A Long Way Home
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|Author||: Saroo Brierley|
|Editor||: Berkley Trade|
As a little boy in India, Saroo Brierley got lost on a train. Twenty-five years later, from Australia, he found his way back. This is what happened in between. Born in a poor village in India, Saroo lived hand-to-mouth in a one room hut with his mother and three siblings…until at age five, he mistakenly boarded a train by himself, and ended up in Calcutta, all the way across the country. Uneducated, illiterate, and unable to recall the name of his hometown, he managed to survive for weeks on that city’s rough streets. Soon after, he was adopted by a couple in Tasmania. But despite growing up in a loving upper-middle class Aussie family, Saroo still clung to the last memories of his hometown and family in India, and always wondered if he’d ever find them again. Amazingly, twenty-five years later, with some dogged determination and a heap of luck—and the advent of Google Earth—he did. A Long Way Home is a poignant and inspirational true story of survival and triumph against incredible odds, celebrating the importance of never letting go of what drives the human spirit: hope.
|Author||: Saroo Brierley|
|Editor||: Center Point|
"The miraculous and triumphant story of a young man who rediscovers not only his childhood life and home...but an identity long-since left behind"--
|Author||: Gail Caldwell|
|Editor||: Random House Incorporated|
A Pulitzer Prize-winning author of A Strong West Wind traces her close friendship with the late fellow writer Caroline Knapp, describing their shared experiences with sobriety, a love of dogs and Caroline's battle with cancer. Reprint.
|Author||: E. Alice Walsh|
After a plane carrying an Afghani girl and her family and an American boy and his mother is diverted to Gander, Newfoundland due to the September 11 terrorist attacks, both children find kindness, adventure, and hope in Gander.
|Author||: Louise Penny|
At first enjoying a peaceful retirement, former Quebec homicide detective Armand Gamache reluctantly agrees to help a neighbor search for her missing estranged husband and teams up with two former colleagues on a search that reveals the workings of a psychologically damaged mind.
|Author||: Louise Penny|
|Editor||: Minotaur Books|
Happily retired in the village of Three Pines, Armand Gamache, former Chief Inspector of Homicide with the Sûreté du Québec, has found a peace he'd only imagined possible. On warm summer mornings he sits on a bench holding a small book, The Balm in Gilead, in his large hands. "There is a balm in Gilead," his neighbor Clara Morrow reads from the dust jacket, "to make the wounded whole." While Gamache doesn't talk about his wounds and his balm, Clara tells him about hers. Peter, her artist husband, has failed to come home. Failed to show up as promised on the first anniversary of their separation. She wants Gamache's help to find him. Having finally found sanctuary, Gamache feels a near revulsion at the thought of leaving Three Pines. "There's power enough in Heaven," he finishes the quote as he contemplates the quiet village, "to cure a sin-sick soul." And then he gets up. And joins her. Together with his former second-in-command, Jean-Guy Beauvoir, and Myrna Landers, they journey deeper and deeper into Québec. And deeper and deeper into the soul of Peter Morrow. A man so desperate to recapture his fame as an artist, he would sell that soul. And may have. The journey takes them further and further from Three Pines, to the very mouth of the great St. Lawrence river. To an area so desolate, so damned, the first mariners called it the land God gave to Cain. And there they discover the terrible damage done by a sin-sick soul.
|Author||: Saroo Brierley|
The young readers' edition of the true story that inspired Lion, the Academy Award nominated film starring Dev Patel, David Wenham, Rooney Mara, and Nicole Kidman. When Saroo Brierley used Google Earth to find his long-lost home town half a world away, he made global headlines. Saroo had become lost on a train in India at the age of five. Not knowing the name of his family or where he was from, he survived for weeks on the streets of Kolkata before being taken into an orphanage and adopted by a couple in Australia. Despite being happy in his new family, Saroo always wondered about his origins. When he was a young man the advent of Google Earth led him to pore over satellite images of India for landmarks he recognized. And one day, after years of searching, he miraculously found what he was looking for and set off on a journey to find his mother. This edition features new material from Saroo about his childhood, including a new foreword and a Q&A about his experiences and the process of making the film. "The emotional journey of Saroo Brierley (Patel) . . . will melt hearts around the globe."—People magazine "Amazing stuff."—The New York Post
|Author||: Rachel Spangler|
|Editor||: Bold Strokes Books Inc|
They say you can't go home again, but Raine St. James doesn't know why anyone would want to. Rory St. James was disowned after she came out at seventeen. She rebounded by moving to Chicago, changing her name to Raine and putting down her hometown to audiences around the country. Now, ten years later, too old to be considered a gay youth, broke, evicted, and fresh off a much needed break-up, Raine St. James is forced to accept a job teaching at Bramble University in Darlington, the town she's been publicly bashing for the last decade. Beth Devoroux was born and raised in Darlington. Despite losing her parents at a young age, she is well loved by everyone who knows her. She leads a comfortable life with good job at Bramble University, a long-term but closeted relationship, friends that she can count on, and everything she thinks she wants, so why is she so drawn to a rabble-rouser like Raine St. James? Can Raine and Beth face their pasts and come to terms with their differences in order to have any hope for a future together?
|Author||: Jasinda Wilder|
|Editor||: Jasinda Wilder|
I need you, Ava. I am desperate. For you. For touch. For a kiss. For the scrape of your hand down my stomach. For the slide of your lips across my hipbone. The sweep of your thigh against mine in the dulcet, drowning darkness. For the warm huff of your breath on my skin and the wet suck of your mouth around me and the building pressure of need reaching release...I am mad with need. Wild with it. I cannot have you. I have lost you, as I have lost myself. And so I go in search. Of myself, and thus the man who might return to you, and take you in his arms. I loathe each of the thousands of miles between us, but I cannot wish them away, for I hope at the end of my journey I shall find you. Or rather, find myself, and thus…you. Myself, and thus us. I am taking the long way home, Ava. * * * Christian, I’m losing my mind, and I don’t know how to stop it. I shouldn’t be writing to you, but I am. I’m friendless, loveless, and lifeless. You’re out there somewhere, and still you’re all I really have. I hate my reliance and dependence on you, emotionally and otherwise, and that reliance is something I’m coming to recognize. I hate that I can’t hate you as much as I want to. I hate that I still love you so much. I hate that there’s no clear solution to our conundrum. Even if we could forgive each other, what then? I hate you, Christian. I really do. But most of all, I don’t. It’s complicated. Complicatedly (still) yours, Ava
|Author||: Kate Shayler|
|Editor||: Random House Australia|
'Australia's own Frank McCourt!' Sally Loane, ABC Radio This is an important story that has long been neglected. We are familiar with stories of the stolen generation and the British child migrants, but there is a third group about whom very little has been written: their white Australian contemporaries who as a result of family breakdown, court orders or abandonment were institutionalised as children. Kate Shayler (pseudonym) grew up a 'homes kid' in the fifties and sixties. Her memoir is more than just an account of her experience as an institutionalised white kid: it's a heartbreaking story of what happens to a child in the absence of emotional support and affection. Far from being a litany of despair, Kate manages to weave into her journey of self-discovery a sense of community, camraderie, and humour of a childhood of sorts - a 'family' that she was forced to create for herself. The Long Way Home: The Story of a Homes Kid will strike a chord with anyone who has ever suffered discrimination, insecurity or the pain of separation from family. It's a timely and profound reminder that every child deserves to be cherished and valued.
|Author||: Peter Carey|
|Editor||: Faber & Faber|
Longlisted for the 2019 International DUBLIN Literary Award Longlisted for the 2019 Walter Scott Historical Fiction Prize Irene Bobs loves fast driving. Her husband is the best car salesman in rural south eastern Australia. Together with Willie, their lanky navigator, they embark upon the Redex Trial, a brutal race around the continent, over roads no car will ever quite survive. A Long Way from Home is Peter Carey's late style masterpiece; a thrilling high speed story that starts in one way, then takes you to another place altogether. Set in the 1950s in the embers of the British Empire, painting a picture of Queen and subject, black, white and those in-between, this brilliantly vivid novel illustrates how the possession of an ancient culture spirals through history - and the love made and hurt caused along the way.
|Author||: Eva Dolan|
|Editor||: Random House|
A man is burnt alive in a shed. No witnesses, no fingerprints - only a positive ID of the victim as an immigrant with a long list of enemies. Detectives Zigic and Ferreira are called in from the Hate Crimes Unit to track the killer, and are met with silence in a Fenland community ruled by slum racketeers, people-trafficking gangs and fear. Tensions rise. The clock is ticking. But nobody wants to talk.
|Author||: Nicola Marsh|
From USA Today bestselling Australian author Nicola Marsh comes a warm and winsome rural romance about second chances and belonging. A prodigal daughter returns to Brockenridge... Eleven years ago Ruby Aston left Brockenridge - and its small-town gossip - for the anonymity of the big city. Now, a grieving Ruby is forced to come home to the place she loathes. But it also means returning to someone she's always regretted leaving behind... Connor Delaney is determined to prove himself and not get by on his family name alone. To do this he needs to acquire the local roadhouse. He never anticipated the owner would be the same 'bad girl' who ditched him at the high school ball and was never heard from again. For Alisha Nathieson, the grief of suddenly losing her dear friend and employer Clara Aston has forced her to examine her choice to stay and support her ageing parents. As she battles a growing need to explore her past, temptation wars with duty. And then there are her feelings for handsome chef Harry, who has secrets of his own... In following their hearts, will this unlikely trio lose what they've craved all along?
|Author||: William Beinart|
|Editor||: NYU Press|
In no other society in the world have urbanisation and industrialization been as comprehensively based on migrant labour as in South Africa. Rather than focusing on the well-documented narrative of displacement and oppression, A Long Way Home captures the humanity, agency and creative modes of self-expression of the millions of workers who helped to build and shape modern South Africa. The book spans a three-hundred-year history beginning with the exportation of slave labour from Mozambique in the eighteenth century and ending with the strikes and tensions on the platinum belt in recent years. It shows not only the age-old mobility of African migrants across the continent but also, with the growing demand for labour in the mining industry, the importation of Chinese indentured migrant workers. Contributions include 18 essays and over 90 artworks and photographs that traverse homesteads, chiefdoms and mining hostels, taking readers into the materiality of migrant life and its customs and traditions, including the rituals practiced by migrants in an effort to preserve connections to “home” and create a sense of “belonging”. The essays and visual materials provide multiple perspectives on the lived experience of migrant labourers and celebrate their extraordinary journeys. A Long Way Home was conceived during the planning of an art exhibition entitled ‘Ngezinyawo: Migrant Journeys’ at Wits Art Museum. The interdisciplinary nature of the contributions and the extraordinary collection of images selected to complement and expand on the text make this a unique collection.
|Author||: John Demont|
|Editor||: McClelland & Stewart|
The province's premier journalist tells the story he was born to write. No journalist has travelled the back roads, hidden vales and fog-soaked coves of Nova Scotia as widely as John DeMont. No writer has spent as much time considering its peculiar warp and weft of humanity, geography and history. The Long Way Home is the summation of DeMont's years of travel, research and thought. It tells the story of what is, from the European view of things, the oldest part of Canada. Before Confederation it was also the richest, but now Nova Scotia is among the poorest. Its defining myths and stories are mostly about loss and sheer determination. Equal parts narrative, memoir and meditation, The Long Way Home chronicles with enthralling clarity a complex and multi-dimensional story: the overwhelming of the first peoples and the arrival of a mélange of pioneers who carved out pockets of the wilderness; the random acts and unexplained mysteries; the shameful achievements and noble failures; the rapture and misery; the twists of destiny and the cold-heartedness of fate. This is the biography of a place that has been hardened by history. A place full of reminders of how great a province it has been and how great—with the right circumstances and a little luck—it could be again.
|Author||: Paul Turnbull,Michael Pickering|
|Editor||: Berghahn Books|
Indigenous peoples have long sought the return of ancestral human remains and associated artifacts from western museums and scientific institutions. Since the late 1970s their efforts have led museum curators and researchers to re-evaluate their practices and policies in respect to the scientific uses of human remains. New partnerships have been established between cultural and scientific institutions and indigenous communities. Human remains and culturally significant objects have been returned to the care of indigenous communities, although the fate of bones and burial artifacts in numerous collections remains unresolved and, in some instances, the subject of controversy. In this book, leading researchers from a wide range of disciplines in the humanities and social sciences reflect critically on the historical, cultural, ethical and scientific dimensions of repatriation. Through various case studies they consider the impact of repatriation: what have been the benefits, and in what ways has repatriation given rise to new problems for indigenous people, scientists and museum personnel. It features chapters by indigenous knowledge custodians, who reflect upon recent debates and interaction between indigenous people and researchers in disciplines with direct interests in the continued scientific preservation of human remains. In this book, leading researchers from a wide range of disciplines in the humanities and social sciences reflect critically on the historical, cultural, ethical and scientific dimensions of repatriation. Through various case studies they consider the impact of repatriation: what have been the benefits, and in what ways has repatriation given rise to new problems for indigenous people, scientists and museum personnel. It features chapters by indigenous knowledge custodians, who reflect upon recent debates and interaction between indigenous people and researchers in disciplines with direct interests in the continued scientific preservation of human remains.
|Author||: Dan Jarvis|
|Editor||: Little, Brown Book Group|
Before becoming an MP, Dan Jarvis was a soldier for fifteen years, serving in Iraq and Afghanistan among other places. Every time he left the family home for a conflict zone Dan knew he was risking his life: many of his contemporaries were badly injured or killed. But he never imagined that the one to die would be his wife Caroline, who he lost to cancer at a tragically young age, leaving him to bring up their two small children. In Long Way Home the two stories run in parallel, Dan's service in the Parachute Regiment, for which he was subsequently awarded the MBE, becoming increasingly untenable as Caroline's health declined. It's a soldier's story and a father's story: an extraordinary tale of fortitude, love and doing the best you can in horribly difficult circumstances. It is also be a fascinating insight into the day-to-day reality of military life. For the first time, Dan tells us about his time in the Parachute Regiment, his attempts to join the SAS (thwarted by a hair-raising and truly unique series of events) and missions in Afghanistan. He shares what he's learned about endurance, about the power of the human spirit, about fortitude, resilience and survival. About never giving up, and about finding ways to cope with the pressure. But also about taking nothing for granted and remembering to value those around you, all while trying to keep a smile on your face.